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Correspondent: ByTowne Cinema
Resume Founded in 1988 in a cinema built in 1947. Account not monitored 24/7, nor much on weekends/holidays. Send film suggestions to cinemail @ bytowne. ca 📽️ 🍿💕
. Actors - Jonah Hauer-King. release date - 2019. Drama. Canada. Liked it - 187 Votes. 
Exquisite. Congratulations and best wishes to Ray Chen. LETS GO LESBIANS LETS GO. Perhaps we'll find God over there, on the journey, ill introduce you to him. Perfect. La canción de los nombres olvidados. La canción de los nombres olvidados download 2. So if Hitler is his imaginary friend, does that make Hitler his stand. I'll pass, thanks. Описание В ролях Трейлеры и кадры 8 отзывов В центре сюжета киноленты — Холокост, ужасные события, во время которых уничтожались целые нации людей. Однако в мире, полном жестокости, всё-таки есть место состраданию и дружбе. Молодые люди сумели пережить Холокост благодаря музыке, в которой они нашли спасение. Она смогла им дать вдохновение и помочь найти им силы для жизни, но один из друзей по непонятным причинам исчезает. Лишь спустя 40 лет его друг смог узнать правду об исчезновении. Раскрытая тайна его настолько поразила и удивила, что, кажется, жизнь в незнании была намного лучше. Песня имен — это прекрасная драма, которая помогает понять все ужасы, которые когда-то переживал народ. Кинопроизведение было снято совместно Германией, Канадой и Великобританией. Премьера была назначена на 2018 год, и рейтинги ожидания ленты были достаточно высоки. Режиссером фильма стал Вадим Перельман. Он известен в кругах киноиндустрии по фильмам Дом из песка и тумана, Мгновения жизни и сериалу Измены. Лучших друзей в кинокартине сыграли Энтони Хопкинс и Дастин Хоффман. Оба актера известны на весь мир своей потрясающей игрой и ролями, которые не утрачивают актуальности даже спустя десятки лет. И Хопкинс, и Хоффман в свое время были отмечены критиками во время вручения кинопремии Оскар, не говоря уже про менее значимые награды. Энтони получил заветную статуэтку в 1992 за фильм Молчание ягнят. Дастин же был награжден в 1987 году за кинокартину Человек Дождя. Кроме этого, у главных героев насчитывается еще много побед и номинаций в различных всемирно известных премиях. В центре сюжета киноленты — Холокост, ужасные события, во время которых уничтожались целые нации людей. Лишь спустя 40 лет Свернуть Подробнее Перевод Русский.
La canción de los nombres olvidados download pdf. Critics Consensus The Song of Names is made from intriguing ingredients, but they never quite coalesce into a drama that satisfies the way it should. 42% TOMATOMETER Total Count: 45 87% Audience Score Verified Ratings: 45 The Song of Names Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Song of Names Videos Photos Movie Info As Europe erupts into World War II, 9 year old Martin comes to love his new brother Dovidl, a highly gifted violin prodigy of the same age and recent Polish-Jewish refugee to London. But hours before Dovidl's debut concert performance at the age of 21 he vanishes without a trace, causing shame and ruin for their family. A lifetime later, a young violinist shows a 56 year old Martin a stylistic flourish that could only have been taught by Dovidl. This triggers Martin's odyssey overseas in search of his lost brother, one that will lead to surprising revelations for both men and for Helen, the woman who stood between them. Rating: PG-13 (for some strong language, brief sexual material, thematic elements, and smoking) Genre: Directed By: Written By: In Theaters: Dec 25, 2019 limited Runtime: 113 minutes Studio: Sony Pictures Classics Cast News & Interviews for The Song of Names Critic Reviews for The Song of Names Audience Reviews for The Song of Names The Song of Names Quotes News & Features.
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Рейтинг: Песня имен / The Song of Names (2019) 1 2 3 4 5 0. 0 из 5 Проголосовало: 0 02. 02. 2020, 16:08 / Просмотров: 682 / Скачиваний: 9 / 0 Название: Песня имен Оригинальное название: The Song of Names Год выпуска: 2019 Жанр: Драма, история Режиссер: Франсуа Жирар В ролях: Клайв Оуэн, Тим Рот, Джона Хауэр-Кинг, Кэтрин МакКормак, Эдди Иззард, Сол Рубинек, Герран Хауэлл, Ричард Бреммер, Эми Слоун, Макс Макмиллан, Джулиан Уэдэм Страна: Канада, Венгрия Студия: Serendipity Point Films, Lyla Films, Feel Films Продолжительность: 01:48:29 Перевод: Дублированный | iTunes Лондон. Вторая мировая. Когда семья маленького скрипача Довидла погибает, Симмондсы принимают талантливого мальчика, как родного, а для их сына Мартина он становится больше, чем брат. В день, когда Довидл должен был дать первый концерт, никто так и не смог его отыскать... Лишь сорок лет спустя Мартину удается раскрыть тайну исчезновения юного музыканта.
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СМОТРЕТЬ ОНЛАЙН Лондон. Вторая мировая. Когда семья маленького скрипача Довидла погибает, Симмондсы принимают талантливого мальчика, как родного, а для их сына Мартина он становится больше, чем брат. В день, когда Довидл должен был дать первый концерт, никто так и не смог его отыскать… Лишь сорок лет спустя Мартину удается раскрыть тайну исчезновения юного музыканта. Название: The Song of Names Перевод: Профессиональный (полное дублирование) Комментарии (0) Написать Похожее видео: 2:11:06 1:34:42 38:22 2:08 3:10:38 40:07.
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Press J to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts log in sign up 1 1 Posted by 1 month ago comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by View discussions in 1 other community no comments yet Be the first to share what you think! More posts from the NYTauto community Continue browsing in r/NYTauto r/NYTauto NYT News Automated Feed No Censorship, Just News. 142 Members 10 Online Created Oct 27, 2016 Restricted help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved Cookies help us deliver our Services. By using our Services or clicking I agree, you agree to our use of cookies. Learn More.
The only con man that took my Grandmother's money was Pat Roberts.
This just sounds so cruel to do to a kid.
We might all be wrong believing that Ian is the one living a lie while in fact, Helen probably is the one. She's from the MI-6...
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When inspiration strikes when you're watching a Geico commerical while getting shoved in a locker. Dammit Richard, those are crystal. 0:27 WTF(Neanderthals. La canción de los nombres olvidados download hd. A Sony Pictures Classics Release Synopsis Tim Roth and Clive Owen star in François Girard's (The Red Violin) sweeping historical drama, about a man searching for his childhood best friend – a violin prodigy orphaned in the Holocaust – who vanished decades before on the night of his first public performance. About Testimonial About The Production TESTIMONIAL "Can a film be both heartbreaking and heart-healing at the same time? The Song of Names is a triumphant combination of history, artistry, and deep pathos. Some few stories help us comprehend the enormity of the losses, the astonishing resilience and the creative passion that marked a people’s darkest time. Song of Names is such a story, tracing a haunting melody that carries us far beyond words to a soul stirring climax. In an age of forgetfulness and coarse cruelty, when the slogans of hate reappear throughout the globe, The Song of Names is a gripping and vital contribution: a reminder of all that was lost, all that remained, and all that remains to be done. A film of broken friendship that devastates then uplifts, and finally, gives us back our faith. " – Rabbi David Wolpe is the Max Webb Senior Rabbi of Sinai Temple in Los Angeles. Named one of the 500 Most Influential People in Los Angeles in 2016 and again in 2017, Most Influential Rabbi in America by Newsweek and one of the 50 Most Influential Jews in the World by The Jerusalem Post, David Wolpe is the Max Webb Senior Rabbi of Sinai Temple. Rabbi Wolpe previously taught at the Jewish Theological Seminary of America in New York, the American Jewish University in Los Angeles, Hunter College, and UCLA. A columnist for, he has been published and profiled in The New York Times, Los Angeles Times, Washington Post’s On Faith website, The Huffington Post, and the New York Jewish Week. He has been featured on The Today Show, Face the Nation, ABC This Morning, and CBS This Morning. In addition, Rabbi Wolpe has appeared prominently in series on PBS, A&E, History Channel, and Discovery Channel. Rabbi Wolpe is the author of eight books, including the national bestseller Making Loss Matter: Creating Meaning in Difficult Times. His new book is titled David, the Divided Heart. It was a finalist for the National Jewish Book Awards, and has been optioned for a movie by Warner Bros. ABOUT THE PRODUCTION As the first Gulf War was ending in 1991, Norman Lebrecht, a British commentator on classical music, was about to fly from Liverpool to Los Angeles. “There was a war on another continent, and it gave me an overwhelming sense of fragility, ” he says. “I had an idea about lives being unsettled by larger historic events. And the particular idea I had was: What if a man is so close to another person that they have an almost symbiotic connection—and that person suddenly disappears? How do you continue your life with only half a functioning self? You can lose a part of yourself and spend your whole life looking for it. ” As he continued to think about this idea over the coming years, it developed into his first novel, The Song of Names. The two halves of one soul that Lebrecht created in the novel were Martin, son of a modest music publisher, Gilbert Simmonds, and a Polish Jewish violin prodigy, Dovidl Rapoport, that Martin’s father invites to live in their home. “The day before Dovidl came along, if you asked Martin what he was, he would have said ‘ordinary, ’” says Lebrecht. “When Dovidl arrives, Martin’s ordinariness ceases. When Dovidl disappears, Martin suffers two losses: the loss of his father, which he blames on Dovidl, and the loss of whatever lit Martin up from the inside and made him feel not ordinary. All this lives within Martin as slow-burning anger, the hope against hope that something will be resolved and that when it’s resolved, there will be rage. ” For Lebrecht, The Song of Names is about coping with loss. “It’s something that happens to all of us in our lives, ” he says. “Do we then allow loss to paralyze us? Do we allow loss to leave us living half lives or half-hearted lives? Or are we able to, in some way or another, adjust to loss, and find a way to overcome that thing, however terrible it is? ” As THE SONG OF NAMES is set within the world of music and musicians, producer Robert Lantos saw François Girard (THE RED VIOLIN, THIRTY TWO SHORT FILMS ABOUT GLENN GOULD) as an ideal director. “This film lives or dies on the emotional impact of its music, ” says Lantos. “I thought it wouldn’t be enough to have a terrific film director who just left the music to the composer. It had to be someone who is as familiar with the language of classical music as he is with the language of cinema, so he could work with a composer from a place of knowledge and conviction. And that led me to François. He directs opera, theatre, and Cirque du Soleil shows. I doubt there are many other filmmakers in the world who are as comfortable and familiar with classical music as he is. ” Despite his passion for music, Girard didn’t want the film’s emphasis to be on music and the artistic temperament, as he felt it had been in Lebrecht’s novel: “Music is a very important vehicle in tackling this story, but to me this is not a film about music, ” he says. “This is an intimate story of two brothers, in which the undercurrents of the Holocaust and the memory of those that disappeared, gradually emerges. I made sure at all times that the music was always serving that, and never the reverse. ” Six actors play the principal roles of Martin and Dovidl, in different stages of their lives: as boys, adolescents, and middle-aged adults (Tim Roth and Clive Owen). “We’re following characters from 9 to 55, which turns out to be my age and pretty much Clive and Tim’s age, ” says Girard. “The first period in the script goes from age 9 to about 21. You can't have the same actor play 9 and 21. You need a child and then a young man. And then, when you connect with the characters 35 years later, you need yet another pair of actors. ” Finding the right mix was a big challenge for Girard and casting directors Kirsty Kinnear, Susie Figgis, and Pam Dixon. “If you have Tim Roth and Clive Owen, you have to find the middle Tim and Clive and then the young ones, ” says Girard. “Whenever we moved a piece, the whole puzzle would shift. It took us more than a year to make sure we were making the right casting choices. ” The casting of these roles was pivotal, because the impact of Martin’s quest to find Dovidl rests on the depth of the relationship forged between the boys in their early years as evoked in the film. “I did everything possible to invest in that relationship with love, ” says Girard. “Love would be the key word. That way, the disappearance of Dovidl would be that much more charged. ” Luke Doyle, who plays Dovidl from age 9 to 13, is a violin prodigy himself, but unlike the other members of the cast, he was cast for his experience as a virtuoso violinist, and had no prior experience as an actor. “If a young person is already in touch with his emotions performing music, you can expect that he will be able to express his emotions with acting, ” says Girard. The director eventually found a musical process for communicating with Doyle, which sometimes meant literally conducting him: “I’d give him a tempo, give him a flow, much like a conductor does with musicians, using my body and my arms to keep the rhythms of the text flowing through a scene. And Luke, being the brilliant young artist he is, reacted to that really well. ” Luke Doyle found young Dovidl to be a fascinating character to play. “There are not too many people out there who are like Dovidl, ” he says. “He never does anything boring, and that always makes him the center of attention. His arrogance and confidence is quite gravitational. At the same time he can sometimes be quite selfish, and doesn’t really care about others. ” Doyle also perceives hidden vulnerability in Dovidl: “In the first few scenes, it feels as if Martin is the one who can’t control his emotions, but as the story progresses and the two get to know each other, the tables turn and you begin to realize that it’s actually Dovidl who can’t control his emotions, and for good reason. ” Misha Handley plays young Martin, who at first sees Dovidl as an unwanted invader in his house. “When Dovidl comes into his room and they are alone for the first time, Martin tries to establish dominance, but Dovidl just naturally takes up the space, ” says Handley. “He is clearly better than Martin at most things. The two despise each other after that first contact, especially on Martin’s side, but after certain events, the bond forms, and they become incredibly close, like blood brothers. ” Handley recognized that underneath Martin’s exterior, there are more complicated feelings brewing. “You take another look and you realize there is this darkness in the background. Martin loves Dovidl, but at the same time there’s this hatred, there’s this jealousy. ” When we meet Dovidl at 17, as Jonah Hauer-King begins to play him, he has lived in the UK for quite a few years and he’s assimilating with his surroundings and his new family. “He has begun the journey, consciously or subconsciously, away from his Polish-Jewish identity, ” says Hauer-King. “ It’s a time of great change because a lot of his identity was connected to his parents and to his family and the mystery surrounding what happened to them. ” By this point in the story a very specific dynamic has been formed in Dovidl and Martin’s relationship. “Dovidl is talented, flamboyant, precocious, self-centered, and ambitious, and Martin is the one who tries to keep him grounded and act as a rock. They are both playing roles within that brotherhood. Dovidl doesn’t articulate it much, but I think he has a huge love and respect for Martin for putting up with him, as he can be quite difficult to be around. ” Gerran Howell, who takes over the role of Martin at 17, believes Martin is content to play his deferential role. Dovidl is the genius and Martin is the admirer, ” says Howell. “Martin sees himself as quite a boring person with not much of an outlook or freedom in his life. When Dovidl came along, he turned everything on its head. He was everything Martin wanted to be. They kind of fill each other’s things that they’re missing. But when Dovidl disappears, Martin is left to pick up the pieces and wonder what he’s meant to do next. ” At the point we first encounter the adult Martin (Tim Roth), he is coasting through an essentially dull and passionless life. “Martin is living in a crumbling house with his wife, with not much money in the bank, ” says Roth. “His foster brother Dovidl, who was his best friend, vanished on him 35 years before. All of that comes tumbling back when he catches wind that Dovidl might still be around. That charges up his life again, and he goes looking for him. ” From that moment on, Martin’s quest to find Dovidl becomes the force driving the film’s narrative. “When Martin sees the first clue, his passion is awakened, ” says Girard. “It transforms him from a state of drifting around to being driven by a mission. ” In the novel, both Dovidl and Martin’s families are Jewish, but Roth suggested that Martin not be Jewish. “For people on the outside, it’s a hidden world, ” says Roth. “If Martin is Jewish, he would already know where to look, in a sense. So I think it gives me more to explore. ” Screenwriter Jeffrey Caine liked Roth’s idea. “It adds another strand to the film, ” says Caine. “It gives Martin another cause for resentment. Not only is this kid now his father's golden boy, they also have to live a kosher life. ” During the decades since the two men had last seen each other, Dovidl has changed drastically from the young man Martin once knew. “There is a huge gap in the story, ” says Clive Owen, who plays the adult version of Dovidl. “There is a world, a life that’s happened that we don’t see, that we never see because his life has changed so dramatically. Their coming together is hugely important because Martin has spent his entire life wondering why this guy just disappeared without a word when they were very close and had done so much together. Dovidl made a decision 35 years ago to create a new life and now he has to face up to the past. ” Catherine McCormack portrays Martin’s wife Helen. “Helen is very much in love with Martin, as he is with her, ” says McCormack. “But Martin’s obsession with understanding and finding out where his friend went has taken over his life. He really needs to find the answers and for Helen that’s very difficult because she has a secret herself in relation to Dovidl. But, beyond that, it’s causing problems in their marriage because she feels like there’s a third person, a presence that is not physically there, but is always a part of their everyday language. And she’s tired of it. She feels she’s in a marriage with three people. ” Martin’s quest for Dovidl begins when, while judging a competition, he recognizes a unique stylistic flourish used by a young violinist, Peter Stemp (Max Macmillan), that could only have been taught to the boy by Dovidl. While the novel could reveal in words what Martin was thinking, screenwriter Jeffrey Caine did not feel there was a way to convey this vital piece of information to a film audience. Instead, Caine invented a physical action: Stemp slowly applies rosin to his bow (something no concert violinist would do on stage) and delicately kisses the block of rosin. As we eventually learn, the cake of rosin had a profound meaning for Dovidl, as it was a parting gift from his father, the last time he saw him. While it’s unstated in the film, this reverent gesture is something Dovidl would have constantly witnessed growing up in an Orthodox home, where holy objects like the siddur (prayer book), mezuzah on doorpost, tallis (prayer shawl), are traditionally kissed as a symbol of loyalty to Judaism and God. This simple gesture with the rosin ties Dovidl simultaneously to his father, family, and Jewish identity. Years after Dovidl’s disappearance, young Peter Stemp takes Martin to meet Billy (Richard Bremmer), the street violinist from whom he picked up Dovidl’s gesture. Billy tells Martin that Dovidl told him in 1951 that he was going home to “play for the ashes. ” These words mean nothing to Billy, but are enough to convince Martin that Dovidl left London for Poland. Martin flies to Warsaw and seeks out Weschler, a once-dashing virtuoso violinist whom Martin and Dovidl had known when they were young. Martin finds the now decrepit Weschler, listless and unresponsive, in a lunatic asylum. While Martin is unable to get Weschler to remember him, a nurse informs Martin that Weschler is visited once a year by a woman. Martin tracks down the woman, Anna Wozniak (Magdalena Cielecka), who was Dovidl’s lover during his brief stay in Poland. Anna tells Martin that Dovidl twice played a special song on his violin, which he never allowed her to hear: once for Weschler in the asylum, and another time on the field where the Treblinka Death Camp once stood. Dovidl referred to his Treblinka performance as “playing for the ashes. ” Anna takes Martin to Treblinka, where there is now a memorial garden, filled with hundreds of stone slabs. Afterwards, Anna tells Martin where Dovidl went after he left Poland. THE SONG OF NAMES was the first feature film to receive permission to shoot on the Treblinka memorial. Eight hundred thousand or more people were killed on that site in a period of nine months. “I’ve spent my adult life avoiding going to extermination camps, ” says Lantos, the son of Holocaust survivors. “I don’t think most people would want to go to hell on earth. I didn’t want to and I never would have if I weren’t making this film, but the alternative would have been to build it somewhere in a field, and I really didn’t want to do that. I thought it was essential that we film there. ” At the center of Treblinka is a large irregular shaped rock, engraved with two words, in several languages: “Never Again. ” Says Lantos: “For me, those two words encapsulate the most important reason a film like this needs to be made. ” Everyone involved in the film shared this conviction. “One problem in society now is the general amnesia, ” says Girard. “Fifty percent of people under thirty don’t even know what the word Holocaust means, and those who do know what the word means, you can be certain wouldn’t be able to explain much. So it’s definitely a mission for this film to keep that memory alive, to keep those events meaningful and resonant. ” Screenwriter Caine, whose parents died in the Holocaust, says: “I deplore genocide wherever it occurs and to whomever it occurs. I’m with the Armenians, the Tutsis, the people Pol Pot murdered in Cambodia, and whoever might be genetically or racially cleansed tomorrow. Whatever words people use to describe it, this is a process that’s ongoing in the human mind, and this film isn’t going to eradicate it. But the more aware we all are of that thing in human beings that makes them act like this, the better. We have to know about it in order to recognize what the dangers are for the human race. ” Before shooting, François Girard visited the Treblinka Memorial, along with actress Magdalena Cielecka and production designer François Seguin. “It was a very emotional experience, ” says Girard. “We entered and for two hours we didn’t say a single word. There was nothing to say. ” The experience affected Girard deeply and caused him to make an important change in the scene. “In the script the characters were talking as they walked there, and this no longer seemed right. I went back and worked with Jeffrey Caine so that Martin and Anna would remain silent. ” The core of the film’s story is the titular “Song of Names, ” a recitation of the names of all who perished at Treblinka, set to music. It is through this song, chanted in a London synagogue by an Orthodox Rebbe (Daniel Mutlu), that Dovidl finally hears what befell his family at Treblinka. It’s significant that the names are not simply recited, but are sung like a prayer. “Music is a language, and it is probably the most powerful of all languages because it goes across borders with no need for translations, ” says Girard. “It talks to the heart with no intermediaries, and it says things that words can’t say, because it’s a place where we meet and that no other medium can provide. ” Soon after learning the fate of his family through “The Song of Names, ” Dovidl, who had once renounced his religion, goes to the opposite extreme and dedicates his life to Orthodox Judaism. He also pledges to write a violin version of “The Song of Names. ” The practice of remembrance through sung prayers is deeply rooted in Jewish tradition back to ancient times. The specific idea of “The Song of Names” on which the film is based was conceived by author Norman Lebrecht. “The Song of Names” and the violin theme heard in the movie is an original work by composer Howard Shore (The Lord of the Rings trilogy) based on traditional modes. Drawing on his own experience from growing up in the synagogue, Shore spent two years studying the cantorial tradition using early recorded audio but particularly recordings from the 1950s, when the song is first heard in the film. Shore received particular guidance in recapturing the Jewish liturgical tradition by famed conductor/educator Judith Clurman and Bruce Ruben, who is Cantor of the Brooklyn Heights Synagogue. Girard maintains that Shore’s contribution went beyond music. “Howard was a contributor to the script, because there are a lot of ideas that I developed and discussed with him, which were ultimately implemented into the script, ” says Girard. “For instance, the final concert, where you have a converging of Dovidl’s three performances of ‘The Song of Names’—with Weschler, at Treblinka, and on stage—as well as first hearing the Rebbe sing it, that was something I brought to the script and Howard embraced. ” By the time that Dovidl plays “The Song of Names” at the end, he has long shed the idea of performing for fame and fortune. “By that moment, it’s not so much about Dovidl demonstrating virtuosity, it’s more of a spiritual evocation, ” says Girard. “His music has become a vehicle of something bigger. There’s no fame, no money, no individuality, no ego involved. It’s all about honoring the memory of those who had disappeared. ” All the same, Dovidl’s great gifts have not left him. “‘The Song of Names’ is a virtuoso piece, ” says Shore, “to be played by a master musician. ” All the violin parts in the performance of “The Song of Names, ” as well as young Dovidl’s virtuoso performances of such pieces as Henryk Wieniawski’s “Variations on an Original Theme, Opus 15” (audition) and Niccolò Paganini’s Caprice #9 and #24 (with Jozef in the bomb shelter) are performed by internationally acclaimed violinist Ray Chen. “Ray worked very closely with me, ” says Shore. “He delved into ‘The Song of Names’ with his heart and soul and created something that was really timeless. ” Daniel Mutlu, Senior Cantor at Manhattan’s Central Synagogue, sang the part of the Rebbe live on camera. “That scene could only be recorded live on set says Shore. Daniel had to perform it and feel the pain. ” Shore’s soundtrack for the film weaves melodic elements of “The Song of Names” from the film’s opening minutes until the song’s reprise in the end credits. “I try to create a complete work when I write for a film, ” he says. Unlike Luke Doyle, Clive Owen and Jonah Hauer-King had no prior training with the violin, and had to go through extensive training with British violinist Oliver Nelson to make them appear convincingly like violin masters. “We put hours and hours and hours of work in, ” says Owen. “It was tough work because I was trying to do something that somebody would spend thirty years honing and getting as good as it should be. And I just had a couple of months. But François promised me that whatever happened he would make me look brilliant on the violin. So I trusted him and I put as much work in as I possibly could and then with great help from Ollie, he seemed to be happy. ” Hauer-King says that the particular training he received was project specific. “I’m very good at playing one song, and nothing else, ” he says. “But it was a really great challenge and I enjoyed it. ” Principal photography for THE SONG OF NAMES took place over nine weeks in late 2018, starting with five days in London, followed by seven weeks of location and studio work in Budapest, Hungary, and a final week of location work in Montreal. Budapest can pass for many cities, but it has very distinctive Austro-Hungarian architecture that needed to be adapted by the Production Designer François Seguin (BROOKLYN) and his team to stand in for English locations. There were several occasions where quite substantial set builds were also required, notably the sand-bagged entrance to a World War II air raid shelter. The concert hall used for both the 1951 and 1986 scenes was the Franz Liszt Academy of Music, an Art Nouveau concert hall in Budapest located within Hungary’s most prestigious music school. Although THE SONG OF NAMES is profoundly connected to the memory of those who perished during the Holocaust, there is actually very little direct portrayal of those events. “One reason I agreed to direct this film is that it deals with the Holocaust without looking at it straight in the eye, ” says Girard. “I don’t think I could have done that. Watching THE SONG OF NAMES is like taking a walk on a volcano that is apparently quiet with its gardens and paths, but deep under there’s red lava that’s burning. We’re looking at the Holocaust from the small end of the telescope, at characters who suffered the consequences of it, and through their eyes and through their lives, we evoke the tragedy. ” The story of THE SONG OF NAMES illustrates how the brutal forces of war and genocide can leave indelible marks on those who manage to survive those scourges. Still, while the story passes through unimaginable darkness, it doesn’t end on a note of utter hopelessness. “There is a message in this story, that the things we lose, we don’t always lose, ” says Lebrecht. “Things that we think are lost forever are deeply embedded inside us, and if we have the tenacity to go and look for them, we can start to understand loss as not total. We are able to build on what is left behind and move on. ” Cast Tim Roth Clive Owen Catherine McCormack Jonah Hauer-King Gerran Howell Luke Doyle Misha Handley Magdalena Cielecka Marina Hambro Tim Roth Martin TIM ROTH (Martin) made his studio feature debut in ROB ROY, opposite Liam Neeson and Jessica Lange, a performance that earned him a Golden Globe® nomination and an Academy Award® nomination for Best Supporting Actor in a Drama. Roth currently stars in the series “Tin Star, ” as Jim Worth, an ex-undercover UK cop turned police chief of a small town in the Canadian Rockies. Season three will premiere in 2020. He previously starred in the series “Lie To Me, ” as Dr. Cal Lightman, a researcher who pioneered the field of deception detection, skilled at reading the human face, body and voice to uncover the truth in criminal and private investigations. He gained worldwide attention for his roles in the Quentin Tarantino films RESERVOIR DOGS and PULP FICTION. He teamed with Tarantino a third time in THE HATEFUL EIGHT. Roth spent his youth aspiring to become a fine artist, and studied sculpture at Camberall Art College before he went on to study drama in London. Working steadily in theatre, he received great notices portraying Gregor Samsa in a production of an adaptation of Kafka’s “The Metamorphosis. ” He made his TV debut with the lead role in the award-winning telefilm “Made in Britain, ” followed by Mike Leigh’s MEANTIME. Roth starred in over fifteen film and television projects including Stephen Frears’ THE HIT (Evening Standard Award for “Best Newcomer”); Peter Greenaway’s THE COOK, THE THIEF, HIS WIFE & HER LOVER; Tom Stoppard’s ROSENCRANTZ & GUILDENSTERN ARE DEAD; and Robert Altman’s VINCENT & THEO, in which he portrayed Vincent Van Gogh. His other film credits include: Tim Burton’s PLANET OF THE APES; THE BEAUTIFUL COUNTRY; Nora Ephron’s LUCKY NUMBERS; Giuseppe Tornatore’s LEGEND OF 1900; Werner Herzog’s INVINCIBLE; JUMPIN’ AT THE BONEYARD; BODIES, REST & MOTION; MURDER IN HEARTLAND; Nicolas Roeg’s HEART OF DARKNESS; FOUR ROOMS; James Gray’s LITTLE ODESSA; Angela Pope’s CAPTIVES; GRIDLOCK’D; Woody Allen’s EVERYONE SAYS I LOVE YOU; HOODLUM; DECEIVER; John Sayles’s SILVER CITY; EVEN MONEY; Wim Wenders’s DON’T COME KNOCKING; Walter Salles’s DARK WATER; Michael Haneke’s FUNNY GAMES; Francis Ford Coppola’s YOUTH WITHOUT YOUTH; THE INCREDIBLE HULK; ARBITRAGE; BROKEN (British Independent Film Award for Best Actor); THE LIABILITY; GRACE OF MONACO; SELMA (as George Wallace); CHRONIC (Independent Spirit nomination for Best Male Lead); and 600 MILES. He can currently be seen in LUCE, opposite Naomi Watts and Octavia Spencer. Roth made his directorial debut in 1999 with the award-winning THE WAR ZONE, starring Ray Winstone, Colin Farrell, and Tilda Swinton, based on the novel by Alexander Stuart. The film premiered at the 1999 Sundance Film Festival to rave reviews and was also presented at Cannes, Berlin (C. I. C. A. E. Award), Toronto Film Festivals, prior to its theatrical release that year. The film received numerous nominations and prizes, including: Best New British Feature at the Edinburgh Film Festival; Best British film at the British Independent Film Awards; and the European Film Award for Best Discovery. Roth’s other TV credits include: the three-part miniseries “Klondike, ” from Executive Producer Ridley Scott; the three-part drama “10 Rillington Place, ” where he played notorious serial killer John Christie; and the International Emmy nominated TV movie “Reg. ” He made his return to the stage in 2004, for the first time since early in his career in London, in the Actors Studio Drama School Theater’s production of Sam Shepard’s “The God of Hell. ” Roth was born in London, and currently resides in Los Angeles. Clive Owen Dovidl CLIVE OWEN (Dovidl) won a Golden Globe® and an Academy Award® nomination for his portrayal of “Larry” in Mike Nichols’ CLOSER (2005), opposite Julia Roberts, Jude Law and Natalie Portman. Born in Keresley, Coventry, in the UK, Owen first came onto the scene in several British and American telefilms. In 1991, he starred in the hit UK television series “Chancer, ” followed by “Second Sight, ” which aired on PBS’s “Mystery! ” Owen made his film debut in Beeban Kidron’s VROOM in 1988, followed by Stephen Poliakoff’s CLOSE MY EYES; BENT; GREENFINGERS; Mike Hodges’ CROUPIER; and Robert Altman’s GOSFORD PARK. Owen’s other films include: BEYOND BORDERS; Mike Hodges’s I’LL SLEEP WHEN I’M DEAD; KING ARTHUR; Frank Miller and Robert Rodriguez’s SIN CITY (“The Big Fat Kill”); DERAILED; Spike Lee’s INSIDE MAN; Alfonso Cuaron’s CHILDREN OF MEN; SHOOT ‘EM UP; ELIZABETH: THE GOLDEN AGE (as Sir Walter Raleigh); DUPLICITY; THE INTERNATIONAL; THE INTRUDERS, THE BOYS ARE BACK; TRUST; THE KILLER ELITE; James Marsh’s SHADOW DANCER; BLOOD TIES; Fred Schepisi’s WORDS AND PICTURES; ANON; OPHELIA; and upcoming, THE INFORMER and GEMINI MAN, opposite Will Smith. He recently starred in Steven Soderbergh’s “The Knick, ” for Cinemax, which he also executive produced. His portrayal of Dr. Thatchery earned him a 2015 Golden Globe® Best Actor nomination. In 2011, he made his American TV debut in HBO’s Emmy nominated “Hemingway and Gellhorn, ” starring opposite Nicole Kidman and directed by Phil Kaufman. His performance earned him Emmy, SAG and Golden Globe® nominations. Owen is also an acclaimed stage actor with roles includding his portrayal of “Romeo” at the Young Vic, starring in Sean Mathias’ staging of Noel Coward’s “Design For Living, ” and playing the lead role in Patrick Marber’s original production of “Closer” at the Royal National Theater in 1997. In the fall of 2001, he starred in London in Peter Nichols’s “A Day in the Death of Joe Egg. ” In 2015, he made his Broadway debut in the revival of Harold Pinter’s “Old Times. ” He later returned to Broadway in the 2017 production of David Henry Hwang’s “M. Butterfly. ” He is currently appearing at the Noel Coward Theatre in London in the starring role in Tennessee Williams’s “The Night of the Iguana, ” his first time appearing in the West End in almost twenty years. Owen starred as The Driver in the series of BMW internet short features entitled “The Hire, ” each directed by John Frankenheimer, Ang Lee, Wong Kar-wai, Guy Ritchie, and Alejandro Gonzalez Inarritu. Catherine McCormack Helen CATHERINE McCORMACK (Helen) trained at the Oxford School of Drama before going on to a highly successful stage and screen career. McCormack gained international attention for her second film role, as Murran MacClannough, wife of Mel Gibson’s William Wallace in the multi-Academy Award® winning BRAVEHEART (1995). Her subsequent films include: NORTH STAR; THE LAND GIRLS; DANGEROUS BEAUTY; DANCING AT LUGHNASA; THIS YEAR’S LOVE; SHADOW OF THE VAMPIRE; Kathryn Bigelow’s THE WEIGHT OF WATER; John Boorman’s THE TAILOR OF PANAMA; SPY GAME, opposite Robert Redford and Brad Pitt; 28 WEEKS LATER; THE FOLD; Woody Allen’s MAGIC IN THE MOONLIGHT; THE JOURNEY; and PROMISE AT DAWN. She will soon be seen in Adrian Shergold’s horror thriller, CORDELIA, with Michael Gambon. Her television roles include: Lady Carmichael in “Sherlock”; Veronica, Countess of Lucan in “Lucan”; Theresa Leary in the US boxing drama, “Lights Out”; and “Temple, ” opposite Mark Strong. McCormack’s stage roles include: Mary Carney in Jez Butterworth’s Tony-winning “The Ferryman, ” which was directed by Sam Mendes and transferred from the West End to Broadway; Mrs. Robinson in “The Graduate” (West Yorkshire Playhouse); “Dancing at Lughnasa” (Lyric Theatre); Goneril in “King Lear, ” opposite Frank Langella’s Lear (BAM); Juana Inés de la Cruz in “The Heresy of Love” (Royal Shakespeare Company); “Top Girls” (Trafalgar Theatre); “A Lie of the Mind” (Donmar Warehouse); Nora in “A Doll’s House” (Peter Hall’s production at Theatre Royal, Bath), and the National Theatre productions of “All My Sons, ” “Free, ” “Dinner, ” and “Honour. ” Jonah Hauer-King Dovidl, 17-23 JONAH HAUER-KING (Dovidl, 17-23) began his career at the Lyric Belfast, in Simon Stephen’s “Punk Rock. ” He then went to Cambridge University, but juggled acting roles on stage and screen while there. He made his West End debut playing Kenneth Branagh’s son in “The Entertainer, ” a performance which was filmed in 2016. His first feature was a lead role in Danny Huston’s THE LAST PHOTOGRAPH (2017, World Premiere, Edinburgh International Film Festival), followed by roles in ASHES IN THE SNOW, opposite Bel Powley; OLD BOYS; POSTCARDS FROM LONDON (also performed and wrote songs on the soundtrack); and A DOG’S WAY HOME, with Ashley Judd and Edward James Olmos. Hauer-King starred in two BBC miniseries: “Howard’s End” with Hayley Atwell and Mathew Macfadyen, and “Little Women, ” with Emily Watson, Angela Lansbury, and Michael Gambon. This year, he will be seen in Blumhouse’s ONCE UPON A TIME IN STATEN ISLAND opposite Naomi Watts and Bobby Cannavale, and the BBC’s major new World War II series, “World On Fire. ” Hauer-King was born and raised in London. He is a dual citizen of the UK and the United States. Gerran Howell Martin, 17-21 GERRAN HOWELL (Martin, 17-21) recently played Kid Sampson in the Hulu mini-series adaptation of Joseph Heller’s “Catch-22, ” opposite George Clooney, Kyle Chandler and Hugh Laurie. He made his U. S. television debut in 2017 when he was cast in the lead role of Jack (a. k. a. The Tin Man) on the NBC fantasy series “Emerald City, ” based on the Oz book series by L. Frank Baum. He then played painter Karl-Heinz Wiegels, opposite Antonio Banderas (Pablo Picasso), in the series “Genius. ” His other film roles include John Boorman’s QUEEN & COUNTRY, opposite David Thewlis; and CRUSADE IN JEANS, starring Emily Watson. Upcoming for Howell is a role in Sam Mendes’s 1917, opposite Benedict Cumberbatch, Colin Firth, and Richard Madden. Howell is a Welsh actor who began his career at 15, playing the lead role of Vladimir Dracula on the BBC scripted series “Young Dracula. ” In 2007, “Young Dracula” won a Royal Television Society Award and the Welsh BAFTA for Best Children’s Program. The series was also nominated for several other awards during its five-season run, including the BAFTA for Best Children’s Drama in 2008 and a BAFTA Children’s Award in 2012. After the series ended, Howell studied at The Royal Academy of Dramatic Arts. Following graduation, he appeared in the British series “Some Girls, ” “Casualty, ” “Drifters, ” and in all three seasons of “The Sparticle Mystery. ” Howell’s stage roles include: “Bedwas Boy Mandela, ” “Shoot/Get/Treasure/Repeat, ” and “War and Peace. ” He resides in London, England. Luke Doyle Dovidl, 9-13 LUKE DOYLE (Dovidl, 9-13) is a 12-year-old violinist who makes his film acting debut in THE SONG OF NAMES. He is currently the youngest member of the National Youth Orchestra of Wales. Born in South Wales, Doyle began playing the violin at age 8, and two years later gained a government scholarship to attend the renowned Wells Cathedral School. He studies violin with Catherine Lord. Doyle has always enjoyed acting, and has taken lead roles in school productions since studying at Wells. When the casting department for THE SONG OF NAMES undertook a national search for a prodigious young violinist, Doyle was recommended by a parent at Wells Cathedral School, who was aware of his multiple talents as a performer. Outside music, Luke’s has a keen interest in history (particularly World War II) and theology. Misha Handley MISHA HANDLEY’s (Martin, 9-13) first film experience was in the 2012 movie WOMAN IN BLACK as the 4-year-old son of Daniel Radcliffe. In the same year he was cast as another 4-year-old in “Parade’s End, ” a BBC series set in Edwardian England and starring Benedict Cumberbatch and Rebecca Hall as his parents. Tom Stoppard adapted the novel by Ford Maddox Ford and the large cast contained many of the UK’s best known actors. In 2019, Handley played Alexander in a stage adaptation of Ingmar Bergman’s classic film “Fanny and Alexander” at London’s Old Vic Theatre. Magdalena Cielecka Anna Polish actress MAGDALENA CIELECKA (Anna) received many prestigious Polish and international awards for her film debut, TEMPTATION, in 1995. Cielecka’s subsequent films include: S@MOTNOSĆ W SIECI (“Loneliness on the Net”); ZAKOCHANI (“In Love”); EGOIŚCI (“Egoists”); THE LURE; UNITED STATES OF LOVE; A HEART OF LOVE; STARS; BREAKING THE LIMITS; DARK, ALMOST NIGHT; and THE DAY OF CHOCOLATE. In 2008, she attended the Berlin Film Festival and Academy Award ceremony for her role in Andrzej Wajda’s KATYŃ. Cielecka was born in Myszków, Poland, and graduated from the Ludwik Solski Academy for the Dramatic Arts in Cracow in 1995. As a student, she made her debut in Cracow’s Stary Teatr, where she continued to work during her years in Cracow. In 1999, she received the Zelwerowicz Award for Best Actress of the Season for three of her roles: the title role in “Ivona, Princess of Burgundia, ” Candy in “Unidentified Human Remains, ” and Judith in “Father Mark. ” She has performed in Warsaw theatres since 1998, most notably in Teatr Rozmaitości in plays directed by Grzegorz Jarzyna and Krzysztof Warlikowski. She received the Feliks Warszawski Award for her portrayal of Ariel in “Burza, ” an adaptation of Shakespeare’s “The Tempest. ” She has been part of the Nowy Teatr team since 2008 and also appears in the National Theatre in Warsaw, Imka, and Polonia Theatres. Cielecka has also acted in many television series, including “Without Secrets, ” “Hotel 52, ” “Time of Honor, ” “Prokurator, ” “The Pact, ” “Belfer, ” “Belle Epoque, ” “Chylka. Zaginiecie, ” and “Pisarze, Serial na krótko. ” Marina Hambro Young Helen MARINA HAMBRO (Young Helen) makes her feature film debut in THE SONG OF NAMES. Hambro studied photography, media studies and theatre studies at Hurtwood House, in Surry, England, a school famed for its performing arts and media curriculum. She was active in the Hurtwood Acting Company, and was awarded the school’s highest scholarship, which made it possible for Hambro to pursue her acting training in New York City. In New York, Hambro appeared in a variety of off-Broadway plays including “Gruesome Playground Injuries” and “The Other Side. ” She also acted in dozens of short films, including “Round Two” and “Terminal. ” Since returning to London, Hambro played the lead role opposite Jane Cussons in the horror short, “When the Howls Find Us, ” which was accepted into the official selection of the Aesthetica Film Festival. Filmmakers François Girard Robert Lantos Lyse Lafontaine Nick Hirschkorn Jeffrey Caine Norman Lebrecht Howard Shore Francois Séguin David Franco Michel Arcand Anne Dixon François Girard Director FRANÇOIS GIRARD (Director) gained notoriety as much for his filmmaking as for his staging of operas and theater plays. In 1993, his feature film THIRTY TWO SHORT FILMS ABOUT GLENN GOULD would go on to garner international success including four top Genie Awards. Five years later he directed THE RED VIOLIN, featuring Samuel L. Jackson, which received an Academy Award for best original score and enshrined Girard as an important player on the international movie scene. The film also won eight Genie Awards and nine Jutra Awards. SILK, which he later directed, was adapted from Alessandro Baricco’s best-selling book, and was released worldwide in 2007. The cast includes Michael Pitt, Keira Knightley, Alfred Molina, Miki Nakatani and Koji Yakusho. SILK received four Jutra Awards. His film BOYCHOIR, released in 2015, features Dustin Hoffman, Kathy Bates and Eddie Izzard among others. Most recently, HOCHELAGA, LAND OF SOULS, was presented at the Toronto Film Festival, and represented Canada in the race for Best Foreign Language Film Oscar at the 90th Academy Awards®. It was released in September 2017 and was greatly acclaimed by the Academy of Canadian Cinema & Television. Girard’s 1994 concert film “Peter Gabriel’s Secret World, ” became a best-selling film and earned him a Grammy Award. A few years later he directed one of the six episodes of the internationally acclaimed series “Yo-Yo Ma Inspired By Bach. ” In 1997, François Girard made his opera directorial debut with “Oedipus Rex/Symphony of Psalms” by Stravinsky and Cocteau, which received numerous awards and was named by The Guardian as “the best theatrical show of the year. ” His other opera works include “Lost Objects, ” for the Brooklyn Academy of Music; Wagner’s “Siegfried”; “The Flight of Lindbergh/Seven Deadly Sins” by Kurt Weill and Bertolt Brecht; as well as Kaija Saariaho's “Émilie. ” Girard’s most recent opera work was “Parsifal, ” which earned him and the Metropolitan Opera Company a remarkable critical success. For the stage, Girard also directed Alessandro Barrico’s “Novecento”, Kafka’s “Trial” and Yasushi Inoue’s “Hunting Gun, ” and most recently, a new production of Samuel Beckett’s “Waiting for Godot. ” Girard is a three-time winner of the much-coveted Herald Angel Award for Best Production at the Edinburgh Festival. In recent years, Cirque du Soleil’s commissioned Girard to write and direct “Zed, ” their first permanent show in Tokyo; and “Zarkana, ” which opened at Radio City Music Hall, played at the Kremlin Theatre and has become a resident show in Las Vegas. To date, François Girard’s accomplishments have earned him over one hundred international awards and public acclaim the world over. Robert Lantos Producer THE SONG OF NAMES is ROBERT LANTOS’s (Producer) first collaboration with director François Girard. Lantos was Chairman and CEO of Canada’s leading film and television company, Alliance Communications Corporation, from its inception until 1998, when he sold his controlling interest. He then formed his production company Serendipity Point Films, where he produces films he is personally passionate about. His first film, IN PRAISE OF OLDER WOMEN, opened the Toronto Film Festival in 1978 and his 1985 film JOSHUA THEN AND NOW, screened In Competition at Cannes and opened Toronto. Since then Lantos has produced over forty feature films, including BARNEY’S VERSION, for which Paul Giamatti received a Golden Globe for Best Actor. Lantos has established longstanding creative relationships with some of the world’s preeminent directors, notably David Cronenberg, István Szabó, and Atom Egoyan. Cronenberg’s EASTERN PROMISES earned Oscar®, Golden Globe® and BAFTA Nominations, opened the London International Film Festival and San Sebastian Film Festival and screened as a Gala at the Toronto Film Festival; CRASH, winner of a Special Jury Prize in Cannes and eXistenZ, winner of The Silver Bear at the Berlin Film Festival. Lantos’s collaborations with István Szabó include: BEING JULIA, which earned Annette Bening an Oscar® nomination, the Golden Globe® Award and the National Board of Review Award for Best Actress; and SUNSHINE, which received three Golden Globe® nominations, including Best Picture, three European Film Awards and the Canadian Screen Award for Best Picture. His notable collaborations with Atom Egoyan include THE SWEET HEREAFTER, which won the Cannes Grand Prix, was nominated for two Oscars® and won the Canadian Screen Award for Best Picture; WHERE THE TRUTH LIES, which was screened in competition in Cannes; ARARAT, Official Selection in Cannes, Opening Night at Toronto, and won the Canadian Screen Award for Best Picture; Cannes Prize Winner EXOTICA; and REMEMBER, in competition, Venice Film Festival and Gala at the Toronto Film Festival. Lantos’s other producing credits include Alonso Ruiz Palacios’s MUSEO, winner of the Silver Bear at the Berlin Film Festival; JOHNNY MNEMONIC, an international box office hit starring Keanu Reeves; Bruce Beresford’s BLACK ROBE. Opening Night Gala at the Toronto Film Festival, Canadian Screen Award for Best Picture; Denys Arcand’s STARDOM, Closing Night Cannes; Opening Night Gala at Toronto; Norman Jewison’s THE STATEMENT, National Board of Review Winner; Jeremy Podeswa’s FUGITIVE PIECES, Rome Festival Best Actor Award, Opening Night Gala at Toronto; and Don McKellar’s THROUGH BLACK SPRUCE. Lantos is a member of the Order of Canada, and a recipient of the Governor General’s Performing Arts Award. He holds honorary Doctorates from McGill University and the University of Haifa. Lyse Lafontaine LYSE LAFONTAINE (Producer) is one of Canada’s most highly regarded producers. A veteran of both film and television production, she has worked with some of the most respected names in the Canadian entertainment industry, including Jean-Claude Lauzon on the award winning film LÉOLO that she produced in 1992. The film played in competition at the Cannes Film Festival and won the Golden Spike (Best Picture) at Valladolid. In addition to Canada, Lafontaine has coproduced movies along with other producers from France, Italy, Luxembourg, Mexico, Switzerland and the United States, among other countries. A SUNDAY IN KIGALI (2006), a love story occurring during the Rwanda genocide, was directed by Robert Favreau and based on the novel by Gil Courtemanche. It was presented at more than 35 international festivals and won many prizes, including the Genie for Best Adaptation, the Jutra for Best Cinematography, Best Art Direction, Best Sound, Best Original Score, Best Costumes, Best Make-Up, the Best Actress award at the Marrakech International Film Festival, the Best North-American Film award at the Kuala Lumpur International Film Festival, among many others. MOMMY IS AT THE HAIRDRESSER’S (2008), about a young girl’s coming of age in the 60s, was written by Isabelle Hébert and directed by Léa Pool. It was presented in many countries and won the Jutra Award for the film getting the most recognition outside Quebec. The film won Audience Awards at both the Soleure Film Festival in Switzerland and the Goeteborg International Film Festival in Sweden. In 2009, Lafontaine was co-producer with producer Robert Lantos and co-producer Domenico Procacci, of BARNEY’S VERSION, an adaptation of the acclaimed Mordecai Richler novel, directed by Richard J. Lewis and starring Paul Giamatti, Dustin Hoffman, Rosamund Pike, Minnie Driver, and Scott Speedman. Lafontaine produced Xavier Dolan’s film LAURENCE ANYWAYS (2012) starring Melvil Poupaud, Suzanne Clément, Nathalie Baye and Monia Chokri. The film was chosen for “Un Certain Regard” at Cannes, and won the Best Actress Award. In 2012, it won Best Canadian Film at the Toronto Film Festival. In 2013, Lafontaine was Associate Producer of TOM AT THE FARM, a psychological thriller directed by Xavier Dolan, based on the play by Michel Marc Bouchard. It was screened in the main competition section at the 70th Venice International Film Festival and also at the 2013 Toronto International Film Festival in the Special Presentation section. It won the FIPRESCI Prize at Venice and was shortlisted for Best Picture at the second Canadian Screen Awards. In 2014, she produced Léa Pool’s THE PASSION OF AUGUSTINE, as well as the director’s more recent WORST CASE, WE GET MARRIED (2017), based on the novel by Sophie Bienvenu. She then produced Xavier Dolan’s THE DEATH AND LIFE OF JOHN F. DONOVAN (2018) and Louis Bélanger’s VIVRE À 100 MILLES À L’HEURE. Nick Hirschkorn NICK HIRSCHKORN (Producer) is the sole owner of Feel Films and co-owner of Oscar winning effects house Milk VFX. Milk’s credits include “Doctor Who, ” SNOW WHITE AND THE HUNTSMAN and DREDD. In 2016, Milk won the VFX Oscar® for EX MACHINA. After producing numerous award-winning commercials and music videos, Hirschkorn moved into feature films in 2004 with the children’s film 5 CHILDREN & IT, starring Kenneth Branagh, Eddie Izzard and Freddie Highmore. The film was selected as a Gala Film at the Toronto Film Festival, Tribeca Film Festival, and Dubai Film Festival. The film won the BAFTA for Best New British Composer. Nick went on to produce and finance the TV movie “Skellig, ” starring Tim Roth, Kelly Macdonald and John Simm, which opened the Rome Film Festival and pioneered the fusion of TV and independent film financing with Sky TV. More recently, Feel Films produced “Jonathan Strange & Mr Norrell, ” a 7- part drama for the BBC, adapted from the bestselling book by Susanna Clarke. “Jonathan Strange” won multiple awards including two Bafta Craft awards for VFX and Production Design and Bafta nominations for Costume and Make Up & Hair. The show won an RTS Craft Award for Production Design and was nominated in the VFX category. Deadline Hollywood and the Radio Times placed “Jonathan Strange” in their Top 10 TV Shows of 2015. Jeffrey Caine Screenwriter Born in London in 1944, JEFFREY CAINE (Screenwriter) was educated at the Universities of Sussex and Leeds, where he obtained degrees in Philosophy and English. He taught English in schools and colleges for three years before becoming a professional writer. Married in 1969 and widowed in 1995, he has two daughters and three grandchildren. After writing mainly for British television between 1986 and 1992, he has since concentrated on screenplays, working with directors Richard Attenborough and Ridley Scott, among others. His produced screenplays include GOLDENEYE (1995); INSIDE I’M DANCING (a. RORY O’SHEA WAS HERE) (2004); THE CONSTANT GARDENER (2005); and EXODUS: GODS AND KINGS (2014). INSIDE I’M DANCING won an IFTA Script Award in 2004; THE CONSTANT GARDENER was nominated for Academy® and BAFTA Awards. Caine’s most recent work is BELOVED FRIENDS, a period romantic comedy based on the courtship and early married life of John Quincy Adams and Louisa Johnson. Norman Lebrecht Original Novel NORMAN LEBRECHT’s (Original Novel) is a British commentator on music and cultural affairs. He was a columnist for the Daily Telegraph from 1994 to 2002 and assistant editor of London's Evening Standard from 2002 to 2009. He also had two shows on BBC Radio 3: “lebrecht live” and “The Lebrecht Interview. ” His first novel, The Song of Names, won a Whitbread Award in 2002, an annual prize honoring authors based in Britain and Ireland. Whitbread Awards are given for high literary merit but are also dedicated to works whose aim is to convey the enjoyment of reading to the widest possible audience. He is the author of twelve works of non-fiction and three novels. His bestsellers The Maestro Myth, Why Mahler, and The Life and Death of Classical Music have been translated into seventeen languages. His latest, Genius and Anxiety: How Jews Changed the World 1847-1947, will be published in October 2019. Lebrecht’s has a very popular website —. Lebrecht lives in central London and is currently writing another novel. Howard Shore Composer HOWARD SHORE’s (Composer) music is performed in concert halls around the world by the most prestigious orchestras and is heard in cinemas across the globe. Shore’s musical interpretation of J. R. Tolkien’s imaginative world of THE LORD OF THE RINGS and THE HOBBIT, as portrayed in the films directed by Peter Jackson, have enthralled people of all generations for years. This work stands as his most acclaimed composition to date awarding him with three Academy Awards®, four Grammy Awards, two Golden Globes®, as well as numerous critics and festival awards. He is an officer of the Order of Canada, an Officier de l’ordre des Arts et des Lettres de la France and the recipient of Canada’s Governor General’s Performing Arts Award. The National Board of Review of Motion Pictures honored Shore with an award for Career Achievement for Music Composition and the City of Vienna bestowed him with the Max Steiner Award. Shore has received numerous other awards for his career achievements. Shore was one of the original creators of “Saturday Night Live” and served as music director from 1975-1980. At the same time, he began collaborating with David Cronenberg and has since scored fifteen of the director’s films, including THE FLY, CRASH, and NAKED LUNCH. He was awarded Canadian Screen Awards for MAPS TO THE STARS for score and COSMOPOLIS for both score and song. His original scores to A DANGEROUS METHOD, EASTERN PROMISES and DEAD RINGERS were each honored with a Genie Award. Shore continues to distinguish himself with a wide range of projects, including five films with Martin Scorsese: HUGO, THE DEPARTED, THE AVIATOR (for which he won his third Golden Globe® Award), GANGS OF NEW YORK, and AFTER HOURS. His other credits include ED WOOD, SE7EN, THE SILENCE OF THE LAMBS, PHILADELPHIA, MRS. DOUBTFIRE, and the score for Tom McCarthy’s Academy Award®-winning film SPOTLIGHT. His opera, “The Fly” (2008), which premiered at the Théâtre du Châtelet in Paris and at Los Angeles Opera, recently completed a successful run in Germany at Theatre Trier. His other works include: “Fanfare, ” for the Wanamaker Organ in Philadelphia (2008); the piano concerto “Ruin and Memory” (2010), for Lang Lang; the cello concerto “Mythic Gardens” (2012), featuring Sophie Shao; the song cycle “A Palace Upon the Ruins” (2014), featuring mezzo-soprano Jennifer Johnson Cano; “Sea to Sea” (2017), featuring Measha Brueggergosman, a song for orchestra, soloist, and choir, in celebration of Canada’s 150th anniversary of confederation; the song cycle “L’Aube” (2017), performed by Susan Platts and commissioned by the Toronto Symphony Orchestra; “Latin Mass” (2018), for the Hof Church in Lucerne, Switzerland; and “The Forest” (2019), a guitar concerto composed for Miloš Karadaglić and conducted by Alexander Shelley, for the National Arts Centre Orchestra. Francois Séguin Production Designer French-Canadian FRANCOIS SÉGUIN (Production Designer) previously collaborated with director François Giraud on RED VIOLIN, SILK, and HOCHELAGA, LAND OF SOULS. Based in Montreal, Séguin has designed feature films, television series and live theatrical stage productions all around the world. He has won five Genie Awards for Achievement in Art Direction from the Canadian Academy of Film and Television, and has been nominated twice more. Séguin has also worked on the Cirque du Soleil show, “Zed, ” in Japan. He designed Cirque du Soleil’s Las Vegas show “Michael Jackson: One, ” and travelled to China to design Dragon’s production of “The Han Show. ” Séguin’s feature film credits include: John Crowley’s Best Picture-nominated film BROOKLYN, starring Domhnall Gleeson, Saoirse Ronan and Jim Broadbent; Paul McGuigan’s LUCKY NUMBER, SLEVIN and PUSH; Billy Ray’s SHATTERED GLASS; Harald Zwart’s THE KARATE KID and THE MORTAL INSTRUMENTS: CITY OF BONES; and Denys Arcand’s JESUS OF MONTREAL and THE BARBARIAN INVASIONS. Séguin also designed the acclaimed Showtime television series “The Borgias, ” for director Neil Jordan, which earned him an Emmy Award nomination for Outstanding Art Direction. David Franco Director of Photography DAVID FRANCO (Director of Photography) has worked as the cinematographer on more than 45 productions. He previously teamed with François Girard on BOYCHOIR, starring Dustin Hoffman. His feature film credits include: Demian Lichtenstein’s 3000 MILES TO GRACELAND, starring Kevin Costner; Jonathan Lynn’s THE WHOLE NINE YARDS, with Bruce Willis and Matthew Perry; Mannon Briand’s LA TURBULENCE DES FLUIDES; Christian Duguay’s THE ASSIGNMENT, starring Ben Kingsley and Donald Sutherland; and David Wellingtons’ LONG DAY’S JOURNEY INTO NIGHT and A MAN IN UNIFORM, which was showcased at the Cannes Film Festival in the Director’s Fortnight and won Best Cinematography Award at the 38th Festival of Valladolid. Recently, Franco shot Franco’s TV credits include the pilots for “Get Shorty, ” “Minority Report, ” “The Bridge, ” and “Desperate Housewives. ” His work in high-end television episodic includes HBO’s “Game of Thrones, ” “Westworld, ” “Boardwalk Empire, ” and “Vinyl, ” as well as “Stranger Things, ” “Ray Donovan, ” “Power, ” “Z: The Beginning of Everything, ” and “Little America. ” He won the Emmy Award for his work on HBO’s original movie “Bury My Heart at Wounded Knee. ” He has received ASC Award nominations for “Bury My Heart at Wounded Knee, ” “Intensity, ” “Falling for You, ” “Million Dollar Babies, ” and twice for “Boardwalk Empire. ” Born in France, Franco was raised in Zaire where his father worked as a theatre director. After completing his schooling, Franco moved to Montreal to study communications at the University of Quebec, specializing in photography, planning to work as a war photographer. Instead he started his own production company to produce and shoot music videos, and segued into the feature film and television industry. Franco currently lives in Brooklyn, New York. Michel Arcand Editor Over a thirty plus year career, MICHEL ARCAND (Editor) has emerged as one of the world’s leading film editors. Arcand’s work has taken him to France, Hollywood, throughout Europe, all over Canada and the UK. Arcand has both worked on major studio films, such as THE SIXTH DAY and TOMORROW NEVER DIES, and significant French Quebec movies that display the rich voice of such talented filmmakers as Jean Claude Lauzon (UN ZOO LA NUIT, LÉOLO), Léa Pool, and Charles Binamé, among others. Michel has been nominated ten times and was awarded three Genies by the Academy of Canadian Film and Television for Best Achievement in Editing, the latest for his work on THE ROCKET (A. K. MAURICE RICHARD), as well as DGC & Jutra nominations for Outstanding Achievement in Picture Editing. Anne Dixon Costume Designer ANNE DIXON’s (Costume Designer) design career spans over thirty years both on stage and on screen including a myriad of genres and periods, seen internationally in theatre, opera, film and television. Dixon has collaborated with such acclaimed directors as Viggo Mortensen, François Girard, Niki Caro, Jeremy Podeswa, Sudz Sutherland, Mick Jackson, Angelica Huston, Paul Mazursky, Kathy Bates, Jeremiah Chechik, and Veronica Tennant. Her film credits include FALLING, BORN TO BE BLUE, LAVENDER TO FUGITIVE PIECES, SAINT RALPH and INTERSTATE 60, among others. Her credits range from television (“Anne with an E”, “Lost Girl”, “XIII”, “Guns”) to dance (“Karen Kain--Dancing in the Moment, ” “The Firebird”) skating (“Battle of the Blades”) to opera (“Don Giovanni Unmasked”). Dixon is a graduate in Art & Design from The University of the Arts London, England. Her many accolades include: the Virginia and Myrtle Cooper Award; the Tom Patterson Award, a CSA Award nomination for Best Costume Design for “Anne with an E, ” and a Genie Award for SAINT RALPH. She is a member of the Costume Designer’s Guild in LA, and is published in Canadian Who’s Who and Great Women of the 21st Century. Gallery.
La canción de los nombres olvidados download. Seen at Cannes. Just like other Malick films, it may not be for everyone, but I thought it was a great one. It is a very long movie, but there is still a better sense of narrative flow, compared to Knight of Cups and Song to Song. Gorgeous cinematography which does implement recent Malick techniques, with occasional use of static shots, particularly when showcasing the landscapes. | Glenn Kenny December 25, 2019 It’s 1951, and a major musical event is about to enliven London’s classical scene. The evening depicted in this movie’s opening will feature a young violin virtuoso, Dovidl Rapaport, playing a program of Bruch and Bach. Dovidl’s friend Martin, a fellow in his early twenties like the absent violinist, tries to reassure the older folks around him that the musician wouldn’t miss this date. But he does. And Martin never sees him again. More than 30 years later, this is still eating at the adult Martin, played by Tim Roth. Now a music teacher, married to his teen sweetheart, he finds himself intrigued by an auditioning would-be student who rosins his bow in a particular way. That way belonged to Dovidl, who, we learn in flashbacks, was an arrogant child prodigy left in the care of Martin’s father before the outbreak of World War II. The boy Dovidl is a disruptive Jew in a mode recalling that of Philip Roth. A self-proclaimed genius, he initially infuriates the buttoned-up young Martin. But they soon become the best of friends, and in England, young Dovidl is molded (insofar as he can be molded) by Martin’s doting father, who’s grooming him for a career. Even as his family back in Poland is being shuttled to Treblinka. Advertisement Based on a novel by Norman Lebrecht (the screenplay is by Jeffrey Caine) and directed by François Girard, “The Song of Names” is a pointed demonstration that “survivor’s guilt” is a rather more complex state than the slightly glib phrase suggests. In his late adolescence, agonizing over the still-unknown fate of his family, Dovidl renounces Judaism and acts out in other ways. But his failure to show up for the concert that Martin’s father put his life into, and subsequent absence from Martin’s life, seems an inexplicable betrayal. Tim Roth plays the Martin of the 1980s with a controlled agony; it’s one of the actor’s most purposefully understated performances, and it makes the movie worth seeing. The adult Dovidl is played by Clive Owen, and since this is in part a detective story, I am hesitant to describe him in much detail except to say it’s Owen as you’ve never seen him before. The character’s own agony derives from his definitive discovery of his family’s fate—literally a life changing moment. The titular “Song of Names, ” sacred music with a ritual function, is not merely explained but turns to a motif. Literate, sober, soulful, and considered as it is, the movie is also a little overly scrupulous in its tastefulness. “The Song of Names” doesn’t get its hands dirty; as crassly as young Dovidl behaves, as much of a chip on his shoulder the adult Martin carries, director Girard, whose filmography includes low-key meditations like “ The Red Violin ” and “33 Short Films About Glenn Gould, ” keeps things emotionally tamped down. In the case of Roth’s character, it gives the actor some new places to go. But in other respects, the approach, which is most pronounced in the sun-dappled wanderings over blitzed-out London by the two boys, feels slightly cramped and more than familiar. Reveal Comments comments powered by.
Available for free streaming Titta The Song Of Names 2019 film på nätet gratis High quality 1080p Download - Titta The Song Of Names 2019 film på nätet gratis Watch - Titta The Song Of Names 2019 film på nätet gratis. 1 1 Posted by 15 days ago 1 comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by level 1 Original Poster 1 point · 15 days ago High quality 1080p Available for free streaming Watch and Download movies for free Download - Scarica The Song Of Names 2019 film gratis Watch & stream movies u/Suspicious_Math Karma 1 Cake day January 21, 2020 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved. La canción de los nombres olvidados download 1.
"The Song of Names" is a film with Clive Owen and Tim Roth elegantly directed by Francois Girard. It tells the story of two young boys who develop a friendship over a shared love of music. Young Polish violin prodigy Dovidl Rapoport comes to live with the family of Martin Simmonds in the days preceding the German bombings of London, England during WWII.
The story continues showing different periods of Dovidl and Martin's lives from adolescence to mature adulthood. With the excellent acting, screenplay by Jeffrey Caine and Girard's conscientious direction, the film is a gift to the viewing public.
Greetings again from the darkness. The title refers to a sacred Jewish ritual where the names of the Holocaust victims are recited in a musical style. It's a process that (sadly) covers a few days. In this film, it takes on a personal, as well as historical, significance. British cultural affairs expert Norman Lebrecht wrote the 2001 novel on which writer-director Francois Girard (THE RED VIOLIN, 1998, plus plays, operas and 2 Cirque de Soleil shows) and co-writer Jeffrey Caine based the film.
We open in 1951 London just minutes before the scheduled performance of young violin virtuoso Dovidl "David" Rapoport. He is to play Bruch and Bach in a concert sponsored by his "adoptive" father figure Gilbert Simmonds, who has sunk his entire life savings into producing the concert. Despite the assurances of Simmonds' son Martin, who has become like a brother to David, the featured performer is a no-show. leading Martin to search for him over the next 35 years.
The film covers the story from the time Dovidl's Polish-Jewish father (played by Jakub Kotynski) agrees to his leave 9 year old, a violin prodigy, with the non-Jewish Simmonds in an attempt to protect the boy from the German invasion of Poland in the late 1930's. As Dovidl and Martin grow together, their bond become stronger. Martin is present when Dovidl renounces Judaism, even as becomes more proficient with his instrument and more saddened by the Holocaust that he avoided in his home country.
Both boys are played at three different ages by three different actors. Dovidl is played by Luke Doyle at ages 9-13, Jonah Hauer-King at ages 17-23, and by Clive Owen in middle age. Martin is played by Misha Handley at ages 9-13, Gerran Howell at ages 17-23, and by Tim Roth in later life. The actors do a good job of capturing Martin's early irritation at Dovidl's arrogance, the shock of the no-show betrayal, and the later in life man who changed everything when he found out about his family, as well as the music teacher so desperate to find his long lost friend/brother.
The film bounces between the three timelines so that we have a full picture of the impact they have had on each other's lives, and how Dovidl's disappearing act was quite devastating. Much of the film centers on Martin tracking down leads and talking to folks for some idea of the path taken by Dovidl. Mr. Roth is especially effective (and surprisingly understated) in his performance as a man haunted by the unexplained actions of a loved one. His wife, played by Catherine McCormick, is simultaneously understanding, patient, and emotionally affected.
Stanley Townsend plays Martin's father. He cares for Dovidl as if her were a son, and provides what's necessary for the prodigy to develop and be groomed for performance. Three-time Oscar winner Howard Shore delivers a score that follows the good times and bad, not an easy task for a family drama within the shadow of the Holocaust. One specific sequence stands out, and it is filmed on the hallowed grounds of Treblinka - now a memorial, where the extermination camp once stood.
There are many facets to the story, and most involve heavy emotions. We see children bearing more than they should. Parents protecting their children in times of crisis. The difference between religion and ethnicity is discussed. Broken trust proves especially damaging. Dovidl's disappearing act could be compared to that of JD Salinger, in that he seemingly disappeared for years. And maybe most of all, the idea of survivor's guilt is a theme, as Dovidl explains, You don't have to be guilty to feel guilty." The film may have some pacing issues, but it affords such a wealth of conversation topics, that any flaws are easily forgiven.
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. runtime 104 minute. 映画『レ・ミゼラブル』ヒュー・ジャックマン＆アン・ハサウェイ 単独インタビュー ミュージカルの金字塔をトム・フーパー監督が新たな手法で映画化した本作.ジャン・バルジャンを演じたヒュー・ジャックマンと壮絶な役づくりでファンテーヌ役に挑んだアン・ハサウェイが作品への熱い思いを語った. E4 b8 80%e5 80%8b e5 ae 98%e4 ba ba e4 b8 83%e5 80%8b e5 a6 bb cream.
E3 81%ab e3 82%83 e3 82%93 e3 81%93 e5 a4 a7 e6 88%a6 e4 ba 89 form. Ce a0 ce 91%ce 9b ce 95%ce a1 ce 9c ce 9f 3. Ëãや姫ã. E6 96%b0 e4 b8 89%e5 9c 8b e5 bf 97%e6 89%8b e6 a9 9f e7 89%88 16. Some people acknowledge that this movie is well shot, but complain that it doesn't get the roots of the problem, doesn't point out the culprits, probably the capitalist society and France's colonial past. Neither does it offer much in the way of easy solutions, which would have been completely off the mark. Any of that would have led to a militant movie that would have satisfied a few militants but that would have had much less impact on the rest of the viewers.
AWARDS REVIEWS INTRODUCTION 「レ・ミゼラブル」の舞台となった街で今なお繰り返される悲劇の連鎖. 現代社会の闇をリアルに描く衝撃の問題作！！ 世界各地で暴動やデモが頻発している昨今もはや日本も他人事ではいられない時代を迎えている.“引き金”となるのは人々のなかに生まれる社会や政治に対する鬱屈した感情.そんな現代が抱える闇をリアルに描きまさに「世界の縮図」ともいえる衝撃作が誕生した.海外主要メディアからの高い評価を引っ提げてついに日本での公開を迎える. 犯罪防止班に新たに配属された警官のステファンと同僚たちがある少年の引き起こした些細な事件をきっかけにやがて取り返しのつかない事態へと陥っていく様を緊張感あふれる描写で描いた本作.第72回カンヌ国際映画祭でセンセーションを巻き起こすと「コンペ最大のショック！」「クロワゼットを震撼させた未確認物体！」と称賛を受けポン・ジュノ監督の『パラサイト 半地下の家族』と並んでパルムドールを競い審査員賞に輝いた.各国の映画祭でも数々の賞を獲得し第92回アカデミー賞国際長編映画賞（旧名称：外国語映画賞）ではフランス代表にも選出ゴールデン・グローブ賞の外国語映画賞にもノミネートされている. 舞台となるのはヴィクトル・ユゴーの傑作「レ・ミゼラブル」で知られているモンフェルメイユ.現在はパリ郊外の犯罪多発地区の一部とされており我々が思い描く“花の都”パリのイメージはそこには存在しない.あるのは権力者によって抑圧されている弱者と社会で居場所を失った人々の姿.まさに“ミゼラブル（悲惨）”な世界の現状を反映しているといえる. 監督・脚本を務めたのは本作が初長編作品となるフランスの新鋭ラジ・リ監督.モンフェルメイユで生まれ育ち現在もその地に暮らす監督自身の体験を基に現代社会に潜む問題を圧倒的な緊迫感とスタイリッシュな映像で見事に描き切っている.スパイク・リーもアメリカにおけるプロモーションのサポートを買って出るほどその才能を認めており今後の映画界において目が離せない存在となることは間違いないだろう.さらにアーティストとしての一面も持っておりストリート・アーティストJRと共同でプロジェクトを発表するなど活躍の場は幅広い. 2019年11月20日に本国フランスでの公開を迎えた本作は初日動員数7万人を超え週末ランキングは『アナと雪の女王2』に次ぐ第2位となる大ヒットスタートを記録.またフランスのマクロン大統領も本作を鑑賞.自国が抱える問題をリアルに描いた本作に反応し政府に「映画の舞台となった地域の生活条件を改善するためのアイデアを直ちに見つけて行動を起こす」よう求めたという. ラスト30分の緊迫感.そして衝撃のラストシーンは私たちに何を問いかけるのか！？もはや他人事と傍観していることはできない……. STORY パリ郊外に位置するモンフェルメイユ.ヴィクトル・ユゴーの小説「レ・ミゼラブル」の舞台でもあるこの街はいまや移民や低所得者が多く住む危険な犯罪地域と化していた.犯罪防止班に新しく加わることになった警官のステファンは仲間と共にパトロールをするうちに複数のグループ同士が緊張関係にあることを察知する.そんなある日イッサという名の少年が引き起こした些細な出来事が大きな騒動へと発展.事件解決へと奮闘するステファンたちだが事態は取り返しのつかない方向へと進み始めることに……. DIRECTOR 本作で描かれているすべてが実際に起きたことに基づいています. ワールドカップ勝利の歓喜はもちろん地域に新しい警官が来た時のことドローン盗まれたライオンまですべてです. この地域の素晴らしい多様性を見せたかったんです.私は今もここに住んでいます. これが私の生活でありここで撮影することが大好きなんです. ―― ラジ・リ 監督・脚本 ラジ・リ Ladj Ly フランスモンフェルメイユ（セーヌ＝サン＝ドニ県）出身.役者としてまた1995年に彼の幼少期からの友人であるキム・シャピロンとロマン・ガヴラスが起こしたアーティスト集団Kourtrajméのメンバーとしてキャリアを始める.1997年初の短編映画『Montfermeil Les Bosquets（原題）』を監督2004年にはドキュメンタリー『28 Millimeters（原題）』の脚本をクリシーモンフェルメイユパリの街の壁に巨大な写真を貼ったことで有名になった写真家JR（ジェイアール）と共同で手がける.2005年のパリ暴動以降クリシー＝ス＝ボワの変電所に隠れていたジエド・ベンナとブーナ・トラオレという2人の若者の死に衝撃を受け１年間自分の住む街を撮影することを決意ドキュメンタリー『365 Days in Clichy-Montfermeil（原題）』（2007）を制作する.その後もドキュメンタリーを撮り続け2014年には市民軍とトゥアレグ人が戦争を始めようとしている地域にスポットを当てた『365 Days In Mali（原題）』を2016年にはNGO団体マックス・ハーフェラール・フランスの広告『Marakani in Mali（原題）』を監督する.2017年初めての短編映画『Les Misérables（原題）』を監督し2018年セザール賞にノミネートクレルモンフェラン国際短編映画祭にて受賞.同年監督・脚本家のステファン・デ・フレイタスと共同で『A Voix Haute（原題）』を監督し再びセザール賞にノミネートされる.本作はラジ・リ監督にとって初の長編映画でありその同名短編映画にインスパイアされたものである. CAST ダミアン・ボナール Damien Bonnard as ステファン 『ハートブレイカー』のパスカル・ショメイユ監督ダイアン・クルーガー主演の『バツイチは恋のはじまり』（12）クリストファー・ノーラン監督『ダンケルク』 (17) 2019年東京国際映画祭で最優秀女優賞と観客賞を受賞した『ハリー見知らぬ友人』（00）のD・モル監督新作『動物だけが知っている』など数々の映画やTVシリーズに出演. アレクシス・マネンティ Alexis Manenti as クリス フレッド・カバイエ監督『友よさらばと言おう』(14)やサマンサ・モートン主演のクライムアクション『The Last Panthers（原題）』 (TVシリーズ／15)ロマン・デュリスとオルガ・キュリレンコが共演したフランス製サバイバルスリラー『ザ・ミスト』（18）などに出演.ラジ・リ監督が立ち上げたアーティスト集団Kourtrajméのメンバーでもあり監督とは古くからの付き合い.本作では“脚本”にもクレジットされている. ジェブリル・ゾンガ Djebril Zonga as グワダ モデルとして活躍しながらドキュメンタリー『One, Two, Three, Nawell Madani! （原題）』（19）をプロデュースしたり役者として『C'est tout pour moi（原題）』(17) に出演している.本作には自ら監督に連絡をしオーデションを経て出演が決定した. ジャンヌ・バリバール Jeanne Balibar as 警察署長 アルノー・デプレシャンオリヴィエ・アサイヤスジャン＝クロード・ビエットマチュー・アマルリックブノワ・ジャコジャック・リヴェットラウル・ルイスなど数々の名匠の作品に出演するフランスを代表する女優のひとり.近年の出演者作は『バルバラ セーヌの黒いバラ』（17）『COLD WAR あの歌2つの心』（18)『何も変えてはならない』（9）など.
かぐや姫の物語 レビュー. YouTube. E3 83%89 e3 82%af e3 82%bf e3 83%bc e3 83%bb e3 83%95 e3 83%bc price. レ・ミゼラブル 映画 フル. レ・ミゼラブル舞台.
E3 81%ab e3 82%83 e3 82%93 e3 81%93 e5 a4 a7 e6 88%a6 e4 ba 89 vs. 帝国劇場 ミュージカル『レ・ミゼラブル』. 新三國志手機版 外掛. Home Huffington Post THE MUSICAL PHENOMENON. Παλερμο νυχτερινη ζωη. Ëãや姫ãc.e.s. レ・ミゼラブル Les Misérables 監督 トム・フーパー 脚本 ウィリアム・ニコルソン （ 英語版 ） アラン・ブーブリル （ 英語版 ） クロード＝ミシェル・シェーンベルク ハーバート・クレッツマー （ 英語版 ） 原作 小説 ヴィクトル・ユゴー ミュージカル アラン・ブーブリル クロード＝ミシェル・シェーンベルク 製作 ティム・ビーヴァン エリック・フェルナー デブラ・ヘイワード キャメロン・マッキントッシュ 製作総指揮 ライザ・チェイシン アンジェラ・モリソン ニコラス・アロット リチャード・パパス 出演者 ヒュー・ジャックマン ラッセル・クロウ アン・ハサウェイ アマンダ・サイフリッド エディ・レッドメイン ヘレナ・ボナム=カーター サシャ・バロン・コーエン アーロン・トヴェイト 音楽 クロード＝ミシェル・シェーンベルク 撮影 ダニー・コーエン 編集 クリス・ディケンズ メラニー・アン・オリヴァー 製作会社 ワーキング・タイトル・フィルムズ レラティビティ・メディア 配給 ユニバーサル・ピクチャーズ 東宝東和 公開 2012年12月7日（ ロンドン プレミア） 2012年12月21日 2012年12月25日 2013年1月11日 上映時間 158分 [1] 製作国 イギリス アメリカ合衆国 言語 英語 製作費 61, 000, 000 [2] 興行収入 441, 809, 770 [3] 58. 9億 [4] テンプレートを表示 『 レ・ミゼラブル 』（原題: Les Misérables ）は 2012年 12月21日 公開の イギリス ・ アメリカ 合作の ミュージカル映画. ヴィクトル・ユゴー の 同名小説 を原作として 1980年代 に ロンドン で上演され以後 ブロードウェイ を含む世界各地でロングランされていた 同名のミュージカル の映画化作品である. ストーリー [ 編集] この映画の原作は小説そのものではなく小説を基にしてできたミュージカル版である.そのため映画のストーリーは下記の小説版「あらすじ」とは細部で異なる（予告編での「完全映画化」という売り文句はミュージカル作品の完全映画化という意味で原作の完全映画化という意味ではない）. キャスト [ 編集] 主要人物 ジャン・バルジャン： ヒュー・ジャックマン 司教： コルム・ウィルキンソン （ 英語版 ） ジャベール： ラッセル・クロウ ファンティーヌ： アン・ハサウェイ コゼット： アマンダ・サイフリッド （幼少期：イザベル・アレン） マリウス・ポンメルシー： エディ・レッドメイン テナルディエ一家 テナルディエ： サシャ・バロン・コーエン テナルディエ夫人： ヘレナ・ボナム=カーター エポニーヌ： サマンサ・バークス （幼少期： ナタリア・エンジェル・ウォレス ） ガブローシュ： ダニエル・ハトルストーン （ 英語版 ） ABCの友 アンジョルラス： アーロン・トヴェイト コンブフェール： キリアン・ドネリー （ 英語版 ） クールフェラック： フラ・フィー （ 英語版 ） ジャン・プルーヴェール： アリスター・ブラマー フイイー： ガブリエル・ヴィック バオレル： イワン・ルイス （ 英語版 ） ジョリー： ヒュー・スキナー （ 英語版 ） レーグル・ド・モー： スチュアート・ニール グランテール： ジョージ・ブラグデン （ 英語版 ） テナルディエ・ギャング バベ： イアン・ピリー クラクスー： ジュリアン・ブリーチ （ 英語版 ） モンパルナス： マーク・ピカリング （ 英語版 ） ブリュジョン：アダム・ピアース その他 バティスティーヌ嬢： ジョージー・グレン （ 英語版 ） マグロワール夫人： ヘザー・チェイセン （ 英語版 ） シャンマティユ： ジェームス・シモンズ コシュパーユ：アンドリュー・ヘイヴィル フォーシュルヴァン： スティーブン・テート （ 英語版 ） バマタボワ： バーティ・カーヴェル （ 英語版 ） 工場長： マイケル・ジブソン （ 英語版 ） 女工： アリス・ファーン 売春婦： フランシス・ラッフェル （ 英語版 ） ジルノルマン： パトリック・ゴッドフリー （ 英語版 ） マブーフ： マイク・サーン （ 英語版 ） フランス兵 / 秘密警察官： ジョシュ・ウィチャード バリケードの市民： ポール・レナード 上流階級の紳士： ジーノ・ピッチャーノ 国民衛兵 士官： ハドリー・フレイザー ミュージカル版と重なるキャスト [ 編集] ジャン・バルジャン：コルム・ウィルキンソン（本作では司教役） エポニーヌ：フランシス・ラッフェル（本作では売春婦） アンジョルラス：キリアン・ドネリー（本作ではコンブフェール役） ジャベールマリウス：ハドリー・フレイザー（本作では 国民衛兵 士官役） テナルディエ：スティーブン・テート（本作ではフォーシュルヴァン役） ミュージカルナンバー [ 編集] 製作 [ 編集] 企画 [ 編集] 1988年 アラン・パーカー が『レ・ミゼラブル』のミュージカルの映画を監督すると考えられていた.しかしながら1991年 ブルース・ベレスフォード が監督契約を交わした [5. 1992年プロデューサーのキャメロン・マッキントッシュは トライスター・ピクチャーズ と共同で映画を製作することを発表した [6. しかしながら映画は 企画地獄 （ 英語版 ） に陥り頓挫した.2005年マッキントッシュはミュージカルの映画化に対する願望が再燃したことを表明した [7. 『 Les Misérables: 25th Anniversary Concert 』のDVDとBlu-rayの発売の際ミュージカルの映画化が告知された [8. プリプロダクション [ 編集] 2011年3月ウィリアム・ニコルソンが脚本を執筆キャメロン・マッキントッシュが製作しトム・フーパーへの監督交渉が行われた [9. 2011年6月ワーキング・タイトル・フィルムズとマッキントッシュは製作を開始し2012年に主要撮影を開始するようスケジュールを組んだ [10. 同月ヒュー・ジャックマンがジャン・バルジャン ポール・ベタニー がジャベール役に交渉された [11] 12. 他にアン・ハサウェイとヘレナ・ボナム=カーターがプロジェクトに加わった [13. 2011年9月ジャックマンがジャン・バルジャンラッセル・クロウがジャベール役に決まった [14. その翌月マッキントッシュはハサウェイがファンテーヌを務めることを発表した [15. ハサウェイは役作りのために自身の長い髪を切り ピクシーカット にした [16. 2011年11月エディ・レッドメインがマリウス・ポンメルシー役でキャステされた [17. またエポニーヌ役には リア・ミシェル テイラー・スウィフト スカーレット・ヨハンソン エヴァン・レイチェル・ウッド が候補に挙がった [18. 2011年12月コゼット役のオープンキャスティングコールが ニューヨーク で開催された [19. 同月フーパーは映画が 3D では撮影されないことを明かした [20. 彼はまた上映時間は2時間半であり間もなくエポニーヌとコゼット役のキャストが発表されることを明かした [20. 数日後サシャ・バロン・コーエンがテナルディエ役でキャストに加わったと報じられた [21. その同日アーロン・トヴェイトがアンジョルラス役にキャスティングされた [22. 同月末ジャックマンはキャストたちのリハーサルが翌年1月に始まり3月から主要撮影に入る予定であることを明かした [23. またキャストは事前に録音された曲をリップシンク（ 口パク ）するのではなく実際に撮影の場で歌うことが明かされた [24. 2012年1月アマンダ・サイフリッドがコゼット役 [25] テイラー・スウィフトがエポニーヌ役にオファーされていることが報じられた [26] 27. しかしその後スウィフトは公式にはオファーされておらず報道は誤りであることを明かした [28] 29. 1月12日レッドメインはインタビューにてサイフリッドがコゼットヘレナ・ボナム=カーターがマダム・テナルディエを演じることを認めた [30. 同月末プレスにてサイフリッドがコゼット役トヴェイトがアンジョルラス役に正式に決まったことが確認された [31] 32. 後日コルム・ウィルキンソンとフランシス・ラッフェルがキャストに加わりウィルキンソンが司教ラッフェルが売春婦を演じる [33. 他にジョージ・ブラグデンがグランテール役に決まった [34. 月末マッキントッシュは舞台でもエポニーヌを演じた経験があるサマンサ・バークスが同役に決まったことを発表した [35. 2012年2月 ポーツマス大学 （ 英語版 ） とChatham Maritimeでエキストラなどのオーディションが開催された [36. 数日後マッキントッシュはボナム=カーターがマダム・テナルディエを演じることを正式に認めた [37. 彼はまた映画で新たに追加された曲名は「サドゥンリー」であり「コゼット共を引き取り未来に思いをはせるバルジャンを美しく語る」と発表した [38. 月末『 ザ・サン 』は長らく噂されていたバロン・コーエンがテナルディエ役に踏み切ったことを報じた [21. 撮影 [ 編集] ウィンチェスターで第二班を指示するトム・フーパー（2012年4月）. 主要撮影 は2012年3月8日にフランスで開始された.撮影場所は他に ウィンチェスター・カレッジ ウィンチェスター大聖堂 付近 ポーツマス海軍基地 イングランドのオクスフォードと パインウッド・スタジオ が含まれる [39] 40] 41] 42. 撮影開始と同日映画の公開日は2012年12月7日から同月14日に変更された [43. 1週間後サシャ・バロン・コーエンが正式にテナルディエ役に決まりさらにダニエル・ハトルストーンがガブローシュを演じることが確認された [21. また以前に舞台の『レ・ミゼラブル』に出演した ハンナ・ワディンガム ハドリー・フレイザー ダニエル・エヴァンス ケリー・エリス が映画に端役で出演する [44] 21] 45. 2012年6月23日ヒュー・ジャックマンはすべての撮影が終わったことを明かした [46. ミュージカル映画では劇中で披露される歌は事前にスタジオで録音した曲を撮影現場で再生し役者は口パクで演じるという方法が多いが本作では歌唱はすべてその場で撮影しながら録音したものである.現場ではピアノの生伴奏を役者にイヤホンで聞かせながら撮影した（ピアノの音はリズムのためであり後にオーケストラのサウンドに変えられているものもある） [47. アン・ハサウェイ は劇中で長い髪を切り短髪になるがこのシーンは 鬘 や エクステ ではなく実際に髪を切って演じている [48. 配給 [ 編集] マーケティング [ 編集] 2012年5月30日映画の1本目の 予告編 がオンライン上及び『 スノーホワイト 』の上映時に公開された [49. 2012年9月24日映画の新しいポスターが公式 facebook 上で公開された.そのポスターはイザベル・アレン演じる若年期のコゼットをフィーチャーしたものであった [50. 公開 [ 編集] 当初アメリカ合衆国では2012年12月7日公開予定であったが12月14日に変更された.しかしながら2012年9月18日同日公開予定であった『 ホビット 思いがけない冒険 』との競合を避けるために2012年12月25日に再度変更された.これにより『 ジャンゴ 繋がれざる者 』と同日公開となった [51. イギリスでは2013年1月11日に公開される予定である [52. 2012年11月23日 ニューヨーク の リンカーン・センター で初めて上映され観衆からスタンディングオベーションを受けた [53] 54. 翌日には ロサンゼルス で上映され肯定的な評価を受けた [55. 12月5日ロンドンのレスター・スクウェアでプレミア上映が行われた [56. 12月21日日本で公開された.初週は前週に公開された『 ONE PIECE FILM Z 』に阻まれ観客動員数1位を獲ることはできなかった.しかし年明けから春にかけてロングヒットを記録し累計動員が455万人以上累計興収は55億を突破 [57. 日本で公開されたミュージカル映画としては歴代1位の記録となった [58. またミュージカル映画の中でもほぼ全編を歌唱パートが占めているためか日本語吹き替え版が製作されてない.吹き替え中心の WOWOWプライム でも字幕版が放送された. 評価 [ 編集] 批評家の反応 [ 編集] 2012年12月20日時点で Rotten Tomatoes では64件のレビューで支持率72%平均点7. 2/10となっている [59. また Metacritic では13媒体のレビューで加重平均値は55/100となっている [60. 受賞とノミネート [ 編集] 賞 部門 対象 結果 ゴールデングローブ賞 作品賞（ミュージカル・コメディ部門） ティム・ビーヴァン エリック・フェルナー デブラ・ヘイワード キャメロン・マッキントッシュ 受賞 主演男優賞（ミュージカル・コメディ部門） ヒュー・ジャックマン 助演女優賞 アン・ハサウェイ 主題歌賞 「サドゥンリー」 ノミネート アカデミー賞 作品賞 主演男優賞 歌曲賞 クロード＝ミシェル・シェーンベルク メイクアップ&ヘアスタイリング賞 リサ・ウェストコットジュリー・ダートネル 衣裳デザイン賞 パコ・デルガド 録音賞 アンディ・ネルソン マーク・パターソン サイモン・ヘイズ 日本アカデミー賞 最優秀外国作品賞 [61] 参考文献 [ 編集] “ Les Misérables: The IMAX Experience ”. IMAX (2012年12月5日. 2012年12月5日 閲覧. ^ Breznican, Anthony (2012年10月31日. “Les Miz Soars Again”. Entertainment Weekly ( Time Warner) 2012年11月7日 閲覧. ^ “ Les Misérables（2012） ”. Box Office Mojo... 2013年7月10日 閲覧. ^ 2013年興行収入10億以上番組 ( PDF. 日本映画製作者連盟 ^ Schaefer, Stephen (1991年10月18日. “Musical Chairs – Turning Musicals into Film – 'Les Misérables. Cats' and 'Phantom of the Opera' Have Had a Hard Time Making It to the Big Screen”. Entertainment Weekly 2011年3月6日 閲覧. ^ Press release (1992年2月12日. “ Cameron Mackintosh's Production of Les Misérables Celebrates Its 2, 000th Performance on Thursday, March 5 and Its Fifth Anniversary ”... 2006年10月23日時点の オリジナル [ リンク切れ] よりアーカイブ. 2011年3月6日 閲覧. ^ “ Les Misérables Hits Hollywood ”. (2005年10月2日. 2011年3月6日 閲覧. ^ Les Misérables in Concert: The 25th Anniversary (Blu-ray. London, England: Universal Pictures. 2010年11月29日. Coming Soon – Universal Pictures proudly announce the musical motion picture of Les Misérables: A Working Title-Cameron Mackintosh Film" “Hooper to direct 'Les Misérables'”. The Times of India 2012年9月25日 閲覧. ^ Bamigboye, Baz (2011年6月17日. “Miss Daisy hits the West End”. Daily Mail (London) Kit, Borys (2011年6月15日. “Hugh Jackman in Talks to Star in 'Les Misérables' Adaptation”. The Hollywood Reporter 2011年10月29日 閲覧. ^ Fleming, Mike. “ If Hugh Jackman Plays Jean Valjean, Will Paul Bettany Play Javert In 'Les Misérables' ”... 2011年10月29日 閲覧. ^ Uddin, Zakia (2011年8月30日. “ Anne Hathaway, Russell Crowe to star in 'Les Misérables' ”. Digital Spy. 2012年9月24日 閲覧. ^ Jones, Kenneth (9 September 2011. “Hugh Jackman Is Russell Crowe's Quarry in Les Misérables Film”. Playbill. オリジナル の2013年10月23日時点によるアーカイブ. 2011年10月29日 閲覧... ^ “Cameron Mackintosh Confirms Anne Hathaway for LES MISÉRABLES Film”. (Wisdom Digital Media. 2011年10月17日) 2012年7月28日 閲覧. ^ “ Photos from The Dark Knight Rises ”. Yahoo! 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Cinema Blend. 2012年1月1日 閲覧. ^ Brown, Todd (2012年1月3日. “ Breaking: Amanda Seyfried Offered Cosette in Tom Hooper's Les Misérables ”... 2012年1月3日 閲覧. ^ Mann, Camille (2012年1月4日. “Taylor Swift reportedly offered role of Eponine in 'Les Mis' film”. CBS News 2012年1月19日 閲覧. ^ “Amanda Seyfried & Taylor Swift Complete LES MISÉRABLES Film Cast”. (2012年1月3日) 2012年9月25日 閲覧. ^ “ Taylor Swift Not Bothered About Losing Les Mis Role ”. (2012年2月19日. 2012年9月25日 閲覧. ^ Malkin, Marc (2012年2月19日. “ Whitney Houston: She Was Relatable. Says Taylor Swift ”. 2012年9月25日 閲覧. ^ Fowler, Tara; Reynolds, Simon (2012年1月11日. “'Les Misérables' has an amazing cast, says Eddie Redmayne”. Digital Spy 2012年7月28日 閲覧. ^ “ 'Les Miserables' Movie Casts 'Gossip Girl' Actor Aaron Tveit as Rebellion Leader ”. 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(8 February 2012. オリジナル の2013年3月7日時点によるアーカイブ. 2012年2月9日 閲覧... ^ “Twitter Watch: Hugh Jackman”. (2012年3月8日) 2012年7月28日 閲覧. ^ Larkin, Mike (2012年3月22日. “Why so Misérable? Hugh Jackman looks glum and bedraggled as he films scenes for musical adaptation”. Daily Mail 2012年3月23日 閲覧. ^ Smart, Gordon (2012年3月24日. “Russell Crowe is so Miserables”. The Sun 2012年3月24日 閲覧. ^ “ Les Misérables set for a different kind of stage ”. Pinewood Shepperton (2012年3月16日. 2012年3月24日 閲覧. ^ Jagernauth, Kevin (2012年3月8日. “ 'Les Misérables' Moves To Dec. 14th ”. The Playlist. 2012年7月28日 閲覧. ^ Jones, Kenneth (16 March 2012. “Sacha Baron Cohen, Daniel Evans, Linzi Hateley and More Confirmed for 'Les Miz' Film”. オリジナル の2013年1月3日時点によるアーカイブ. 2012年7月28日 閲覧... ^ “More Stage Vets Set for LES MISÉRABLES Film”. (2012年3月15日) 2012年9月25日 閲覧. ^ “ Hugh Jackman Official Twitter ”... 2012年9月24日 閲覧. ^ 映画『レ・ミゼラブル』特別映像 ^ 映画『レ・ミゼラブル』で丸刈りになったアン・ハサウェイ撮影直前に号泣していたことを告白. シネマトゥデイ ^ “ 'Les Misérables' Trailer: Anne Hathaway Sings! ”... 2012年5月30日 閲覧. ^ “'Les Misérables' Movie Poster released”. CBS News. (2012年9月25日) 2012年9月26日 閲覧. ^ Tara Fowler (2012年9月18日. “'Les Misérables' moves release date to Christmas Day”. Entertainment Weekly 2012年9月18日 閲覧. ^ “ Official Website ”. 2012年11月9日 閲覧. ^ Hogan, Michael (2012年11月24日. “'Les Misérables' Screening Earns Standing Ovation For Tom Hooper, Anne Hathaway”. The Huffington Post 2012年11月26日 閲覧. ^ Tapley, Kristopher (2012年11月23日. “'Tom Hooper unveils 'Les Misérables' to over-the-moon, theater-loving NYC audience”. HitFix 2012年11月26日 閲覧. ^ Olsen, Mark (2012年11月26日. “Tom Hooper reveals his song and dance with 'Les Miserables'”. Los Angeles Times 2012年11月27日 閲覧. ^ “Les Miserables film gets world premiere in London”. The Telegraph. (2012年12月6日) 2012年12月7日 閲覧. ^ “『ドラえもん』がV2! 『レ・ミゼラブル』はついに興収55億突破! 【映画週末興行成績】”. シネマトゥデイ. (2013年3月19日) 2013年10月5日 閲覧. ^ “レ・ミゼラブル興行収入 部門1位”. 日本放送協会. (2013年2月4日) 2013年10月5日 閲覧. ^ “ Les Misérables ”. Rotten Tomatoes. Flixster. 2012年12月16日 閲覧. ^ “ Les Miserables ”. Metacritic. CBS Interactive. 2012年12月8日 閲覧. ^ “ 第37回日本アカデミー賞優秀作品発表! ”. 日本アカデミー賞 公式サイト. 2014年3月7日 閲覧. 外部リンク [ 編集] 公式ウェブサイト - ウェイバックマシン （2014年4月5日アーカイブ分） （日本語） 公式ウェブサイト - ウェイバックマシン （2015年7月10日アーカイブ分） （英語） レ・ミゼラブル - allcinema レ・ミゼラブル - KINENOTE Les Misérables - オールムービー （英語） Les Misérables - インターネット・ムービー・データベース （英語） 表 話 編 歴 『 レ・ミゼラブル 』 ヴィクトル・ユーゴー 作 登場人物 ジャン・ヴァルジャン （ 英語版 ） - ジャヴェール （ 英語版 ） - ファンティーヌ （ 英語版 ） - コゼット （ 英語版 ） - エポニーヌ （ 英語版 ） - マリユス （ 英語版 ） - アンジョルラス （ 英語版 ） - テナルディエ （ 英語版 ） - ガヴローシュ （ 英語版 ） - ミリエル司教 - パトロン=ミネット （ 英語版 ） - ABCの友 （ 英語版 ） 翻案作品 （ 英語版 ） 映画 1909年 （ 英語版 ） - 1917年 （ 英語版 ） - 1925年 （ 英語版 ） - 1934年 （ 英語版 ） - 1935年 （ 英語版 ） - 1938年 - 1948年 （ 英語版 ） - 1952年 （ 英語版 ） - 1958年 - 1978年 （ 英語版 ） - 1982年 （ 英語版 ） - 1995年 - 1995年（コンサート映画） （ 英語版 ） - 1998年 - 2010年（コンサート映画） （ 英語版 ） - 2012年 小説 Jean Val Jean - コゼット テレビアニメ ジャン・バルジャン物語 - レ・ミゼラブル 少女コゼット テレビドラマ いのち燃ゆ - 愛無情 - 2000年フランスのテレビドラマ （ 英語版 ） - レ・ミゼラブル 終わりなき旅路 ミュージカル - ラジオ （ 英語版 ） 音楽 楽曲 レ・ミゼラブルの楽曲 （ 英語版 ） - 夢やぶれて - ワン・デイ・モア （ 英語版 ） サウンドトラック レ・ミゼラブル〜サウンドトラック - レ・ミゼラブル 少女コゼット オリジナルサウンドトラック - レ・ミゼラブル 少女コゼット 永遠のリング 表 話 編 歴 ゴールデングローブ賞 ミュージカル・コメディ作品賞 1951-1960年 巴里のアメリカ人 (1951) わが心に歌えば (1952) カルメン (1954) 野郎どもと女たち (1955) 王様と私 (1956) 魅惑の巴里 (1957) 恋の手ほどき / メイム叔母さん (1958) ポーギーとベス / お熱いのがお好き (1959) わが恋は終りぬ / アパートの鍵貸します (1960) 1961-1980年 ウエスト・サイド物語 / A Majority of One （ 英語版 ） (1961) ミュージック・マン （ 英語版 ） / ミンクの手ざわり (1962) トム・ジョーンズの華麗な冒険 (1963) マイ・フェア・レディ (1964) サウンド・オブ・ミュージック (1965) アメリカ上陸作戦 (1966) 卒業 (1967) オリバー! 1968) サンタ・ビットリアの秘密 (1969) M★A★S★H マッシュ (1970) 屋根の上のバイオリン弾き (1971) キャバレー (1972) アメリカン・グラフィティ (1973) ロンゲスト・ヤード (1974) サンシャイン・ボーイズ （ 英語版 ） (1975) スター誕生 (1976) グッバイガール (1977) 天国から来たチャンピオン (1978) ヤング・ゼネレーション (1979) 歌え! ロレッタ愛のために (1980) 1981-2000年 ミスター・アーサー (1981) トッツィー (1982) 愛のイエントル (1983) ロマンシング・ストーン 秘宝の谷 (1984) 女と男の名誉 (1985) ハンナとその姉妹 (1986) 戦場の小さな天使たち (1987) ワーキング・ガール (1988) ドライビング Miss デイジー (1989) グリーン・カード (1990) 美女と野獣 (1991) ザ・プレイヤー (1992) ミセス・ダウト (1993) ライオン・キング (1994) ベイブ (1995) エビータ (1996) 恋愛小説家 (1997) 恋におちたシェイクスピア (1998) トイ・ストーリー2 (1999) あの頃ペニー・レインと (2000) 2001-現在 ムーラン・ルージュ (2001) シカゴ (2002) ロスト・イン・トランスレーション (2003) サイドウェイ (2004) ウォーク・ザ・ライン/君につづく道 (2005) ドリームガールズ (2006) スウィーニー・トッド フリート街の悪魔の理髪師 (2007) それでも恋するバルセロナ (2008) ハングオーバー! 消えた花ムコと史上最悪の二日酔い (2009) キッズ・オールライト (2010) アーティスト (2011) レ・ミゼラブル (2012) アメリカン・ハッスル (2013) グランド・ブダペスト・ホテル (2014) オデッセイ (2015) ラ・ラ・ランド (2016) レディ・バード (2017) グリーンブック (2018) ワンス・アポン・ア・タイム・イン・ハリウッド (2019) 表 話 編 歴 日本アカデミー賞 ・最優秀外国作品賞 1970年代 ロッキー (1977) 家族の肖像 (1978) ディア・ハンター (1979) 1980年代 クレイマークレイマー (1980) ブリキの太鼓 (1981) E. T. (1982) 愛と青春の旅だち (1983) ワンス・アポン・ア・タイム・イン・アメリカ (1984) アマデウス (1985) バック・トゥ・ザ・フューチャー (1986) プラトーン (1987) ラストエンペラー (1988) ダイ・ハード (1989) 1990年代 フィールド・オブ・ドリームス (1990) ダンス・ウィズ・ウルブズ (1991) JFK (1992) ジュラシック・パーク (1993) シンドラーのリスト (1994) ショーシャンクの空に (1995) イル・ポスティーノ (1996) タイタニック (1997) L. A. コンフィデンシャル (1998) シックス・センス (1999) 2000年代 ダンサー・イン・ザ・ダーク (2000) リトル・ダンサー (2001) チョコレート (2002) 戦場のピアニスト (2003) ラストサムライ (2004) ミリオンダラー・ベイビー (2005) 父親たちの星条旗 (2006) 硫黄島からの手紙 (2007) ダークナイト (2008) グラン・トリノ (2009) 2010年代 アバター (2010) 英国王のスピーチ (2011) 最強のふたり (2012) レ・ミゼラブル (2013) アナと雪の女王 (2014) アメリカン・スナイパー (2015) ハドソン川の奇跡 (2016) ラ・ラ・ランド (2017) ボヘミアン・ラプソディ (2018) 監督賞 脚本賞 アニメーション作品賞 外国作品賞 主演女優賞 助演男優賞 音楽賞 表 話 編 歴 オリコン 週間 DVD 総合チャート第1位（2013年7月1日付） 1月 7日・14日・21日 ARASHI アラフェス NATIONAL STADIUM 2012 （ 嵐 ） 28日 BRAVE HEARTS 海猿 スタンダード・エディション （ 伊藤英明 ） 2月 4日 エイトレンジャー ヒーロー協会認定完全版【完全生産限定】 （ 関ジャニ∞ ） 11日 NEWS LIVE TOUR 2012 〜美しい恋にするよ〜 （ NEWS ） 18日 Document of Endless SHOCK 2012 -明日の舞台へ- （ 堂本光一 ） 25日 AAA TOUR 2012 -777- TRIPLE SEVEN （ AAA ） 3月 4日 おおかみこどもの雨と雪 （アニメーション） 11日 namie amuro 5 Major Domes Tour 2012 〜20th Anniversary Best〜 （ 安室奈美恵 ） 18日 BUMP OF CHICKEN GOLD GLIDER TOUR 2012 （ BUMP OF CHICKEN ） 25日 KANJANI∞ LIVE TOUR! 8EST 〜みんなの想いはどうなんだい? 僕らの想いは無限大! 〜 （ 関ジャニ∞ ） 4月 1日 機動戦士ガンダムUC 6 （アニメーション） 8日 YOSHIO -NEW MEMBER- （ Kis-My-Ft2 ） 15日 EXILE ATSUSHI PREMIUM LIVE 〜命をうたう〜 （ EXILE ATSUSHI ） 22日 アウトレイジ ビヨンド （ ビートたけし ） 29日 UVERworld DOCUMENTARY THE SONG （完全生産限定盤）（ UVERworld ） 5月 6日・13日・20日 ARASHI LIVE TOUR Popcorn （嵐） 27日 よくわかる! 陸上自衛隊〜陸の王者! 日本を守る戦車の歴史〜 6月 3日 Perfume WORLD TOUR 1st （ Perfume ） 10日 ももいろクリスマス2012 さいたまスーパーアリーナ大会 25日公演 （ ももいろクローバーZ ） 17日 ARASHI LIVE TOUR Popcorn （嵐） 24日 shamanippon -ラカチノトヒ- （ 堂本剛 ） 7月 1日 レ・ミゼラブル （ ヒュー・ジャックマン ） 8日 ONE PIECE FILM Z DVD GREATEST ARMORED EDITION 【完全初回限定生産】 （アニメーション） 15日 KOICHI DOMOTO Concert Tour 2012 "Gravity" （堂本光一） 22日 Walking on Clouds （ A. B. C-Z ） 29日 Acid Black Cherry 5th Anniversary Live "Erect" （ Acid Black Cherry ） 8月 5日・12日 テッド （映画） 19日 KinKi Kids Concert -Thank you for 15years- 2012-2013 （ Kinki Kids ） 26日 JOHNNYS' Worldの感謝祭 in TOKYO DOME （ ジャニーズ事務所 ） 9月 2日 進撃の巨人 2 （アニメーション） 9日 Sexy Zone Japan Tour 2013 （ Sexy Zone ） 16日 アイアンマン3 （ ロバート・ダウニー・Jr ） 23日 Live at TOHOKU AIR JAM 2012 （ Hi-STANDARD ） 30日 GIRLS' GENERATION 〜Girls & Peace〜 Japan 2nd Tour〜 （ 少女時代 ） 10月 7日 モヤモヤさまぁ〜ず2 大江アナ卒業記念スペシャル 鎌倉&ニューヨーク ディレクターズ・カット版 （ さまぁ〜ず ） 14日 ケツの穴. らへん （ ケツメイシ ） 21日 ONE OK ROCK 2013 "人生×君= TOUR LIVE&FILM （ ONE OK ROCK ） 28日 EXILE LIVE TOUR 2013 "EXILE PRIDE" （ EXILE ） 11月 4日 東方神起 LIVE TOUR 2013 〜TIME〜 （ 東方神起 ） 11日 水曜どうでしょう「原付西日本制覇」「今世紀最後の水曜どうでしょう」 （ 鈴井貴之 大泉洋 ） 18日 UVERworld KING'S PARADE Zepp DiverCity 2013. 02. 28 （UVERworld） 25日 全国へJUMPツアー2013 （ Hey! Say! JUMP ） 12月 2日 ワイルド・スピード EURO MISSION （ ヴィン・ディーゼル ） 9日 V6 live tour 2013 Oh! My! Goodness! （ V6 ） 16日 めちゃイケ 赤DVD 第3巻 モーニング娘.の修学旅行 岡村女子高等学校. （ 岡村隆史 モーニング娘. おだいばZ会 ） 23日 LEGEND OF 2PM in TOKYO DOME （ 2PM ） 30日 東方神起 LIVE TOUR 2013 〜TIME〜 FINAL in NISSAN STADIUM （ 東方神起 ） 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 表 話 編 歴 オリコン 週間 DVD 映画チャート第1位（2013年7月1日・8日・15日・22日付） 1月 7日 るろうに剣心 通常版 14日 バイオハザードV リトリビューション（初回生産限定） 21日 プロメテウス 28日 BRAVE HEARTS 海猿 スタンダード・エディション 4日 エイトレンジャー ヒーロー協会認定完全版【完全生産限定】 11日 VANISHING POINT 18日 シャーロック・ホームズ シャドウ ゲーム（13. 02） 25日 寮フェス! 〜最後の七不思議〜 豪華版 4日 ボーン・レガシー 11日・18日 エクスペンダブルズ2 25日 私の奴隷になりなさい ディレクターズ・カット 1日 特命戦隊ゴーバスターズVS海賊戦隊ゴーカイジャー THE MOVIE コレクターズパック 8日 【死ガ二人ヲワカツマデ… 第一章「色ノナイ青」】Loooi・エルパカ・HMV限定プレミアム・エディション 15日 黄金を抱いて翔べ 初回限定 コレクターズ・エディション 22日 アウトレイジ ビヨンド 29日 UVERworld DOCUMENTARY THE SONG （完全生産限定盤） 6日・20日 踊る大捜査線 THE FINAL 新たなる希望 スタンダード・エディション 13日 のぼうの城 通常版DVD 27日 ブレイキング・ドーンPart2／トワイライト・サーガ スタンダード・エディション 3日 今日恋をはじめます DVD豪華版 10日 ロックショウ （ 英語版 ） 17日 ライフ・オブ・パイ／トラと漂流した227日 24日 スノーホワイト（13. 06） 1日・8日・15日・22日 レ・ミゼラブル 29日 パイレーツ・オブ・カリビアン/生命の泉（13. 07） 5日・12日・19日・26日 テッド 2日・9日 テッド 16日・23日 アイアンマン3 DVD（デジタルコピー付き） 30日 ゴーストライダー2 7日 プラチナデータ DVD プラチナ・エディション 14日・28日 オブリビオン DVD（サントラ・ショートエディションCD付き） 初回生産限定 21日 関西ジャニーズJr. の京都太秦行進曲! 豪華版（2枚組）【初回限定生産】 4日 オブリビオン DVD（サントラ・ショートエディションCD付き） 初回生産限定 11日 相棒シリーズ X DAY 18日 俺俺 DVD初回限定版（完全限定生産） 25日 図書館戦争 スタンダード・エディション 2日・9日・16日・23日 ワイルド・スピード EURO MISSION 30日 ワールド・ウォーZ 表 話 編 歴 オリコン 週間 BD 総合チャート第1位（2013年7月1日付） 1月 7日 ソードアート・オンライン 3（完全生産限定版） （アニメーション） 14日 アベンジャーズ DVD+ブルーレイセット （ ロバート・ダウニー・Jr ） 21日 プロメテウス 2枚組ブルーレイ&DVD&デジタルコピー〔初回生産限定〕 （ ノオミ・ラパス ） 28日 TYPE-MOON Fes. -10TH ANNIVERSARY Blu-ray Disc BOX- （V. ） 11日 B'z LIVE-GYM 2008 -ACTION- （ B'z ） 18日 TARI TARI【6】 （アニメーション） 25日 Johnny's Dome Theatre〜SUMMARY2012〜 Sexy Zone （ Sexy Zone ） 25日 KANJANI∞ LIVE TOUR! 8EST 〜みんなの想いはどうなんだい〜僕らの想いは無限大! 〜 （ 関ジャニ∞ ） 8日 ソードアート・オンライン 6（完全生産限定版） （アニメーション） 15日・22日 007／スカイフォール 2枚組ブルーレイ&DVD〔初回生産限定〕 （ダニエル・クレイグ） 29日 ホビット 思いがけない冒険 ブルーレイ&ＤＶＤセット （イアン・マッケラン） 6日・13日・20日 ヱヴァンゲリヲン新劇場版:Q EVANGELION:3. 33 YOU CAN (NOT) REDO. （アニメーション） 27日 中二病でも恋がしたい! 6) （アニメーション） 3日 ソードアート・オンライン 8（完全生産限定版） （アニメーション） 10日 ガールズ&パンツァー 5 （アニメーション） 17日 PARKER/パーカー ブルーレイ&DVDセット （ ジェイソン・ステイサム ） 24日 AKB48 リクエストアワーセットリストベスト100 2013 （ AKB48 ） 1日 レ・ミゼラブル 〈ブルーレイ（デジタル・コピー付）〉 （ ヒュー・ジャックマン ） 8日 ONE PIECE FILM Z Blu-ray GREATEST ARMORED EDITION 【完全初回限定生産】 （アニメーション） 15日 ダイ・ハード/ラスト・デイ〈最強無敵ロング・バージョン〉 2枚組ブルーレイ&DVD〔初回生産限定〕 （ ブルース・ウィリス ） 22日 クラウド アトラス ブルーレイ&DVDセット（初回限定生産） （ トム・ハンクス ） 29日 進撃の巨人1 （アニメーション） 5日 劇場版 魔法少女まどか☆マギカ ［前編］始まりの物語／［後編］永遠の物語（完全生産限定版） （アニメーション） 12日 オズ はじまりの戦い ブルーレイ+DVDセット （ ジェームズ・フランコ ） 19日 KinKi Kids Concert -Thank you for 15years- 2012-2013（ KinKi Kids ） 26日 JOHNNYS' Worldの感謝祭 in TOKYO DOME 2日 進撃の巨人2 （アニメーション） 9日 劇場版 とある魔術の禁書目録 -エンデュミオンの奇蹟- 【特装版】 （アニメーション） 16日 アイアンマン3 ブルーレイ+DVDセット （ ロバート・ダウニー・Jr ） 23日 ミリオンがいっぱい〜AKB48ミュージックビデオ集〜スペシャルBOX （AKB48） 30日 Endless SHOCK 2012 （ 堂本光一 ） 7日 ラブライブ! 7【初回限定版】 （アニメーション） 14日 オブリビオン ブルーレイ&サントラ・ショートエディションCD（eCOPY付き）初回生産限定 （ トム・クルーズ ） 21日 Free! 2) （アニメーション） 4日 猫物語（白） 第一巻／つばさタイガー（上）（完全生産限定版） （アニメーション） 11日 IS 〈インフィニット・ストラトス〉2 ロング・バケーションEDITION「一夏の想いで」 （アニメーション） 18日 Free! 3) （アニメーション） 25日 図書館戦争 プレミアムBOX （ 岡田准一 ） 2日・16日 モンスターズ・ユニバーシティ MovieNEX （アニメーション） 9日 猫物語（白） 第二巻／つばさタイガー（下）（完全生産限定版） （アニメーション） 23日 【初回限定生産】パシフィック・リム ブルーレイ&DVDセット （ チャーリー・ハナム ） 30日 ildren ［(an imitation) blood orange］Tour （ ildren ） 2020.
E3 83%ac e3 83%bb e3 83%9f e3 82%bc e3 83%a9 e3 83%96 e3 83%ab free. 新三國志手機版 巴哈. E3 81%8b e3 81%90 e3 82%84 e5 a7 ab e3 81%ae e7 89%a9 e8 aa 9e code. 完美世界新马版角色. The first 90 minutes of this film is a quite impressive multiple viewpoint drama showing the difficult interactions in a rundown Paris immigrant neighborhood between an ethically challenged three member police unit, the impoverished immigrant residents (largely Moslem and African) and assorted adolescents. The presentation is quite realistic. I was moved.
The book of ezekiel explained. The body trailer emraan hashmi. The body movie song. The body. 
The body keeps score. 2) kon kon hero Or herione ko pasand karta hai like karo. 
The body shop malaysia. Oru melliya koddu copied this. The body shop brno. You missed one ☝🏿 “ the integumentary system” its only the largest organ on the body 😊.overall good info.
The body of kobe bryant dead. Lovve it. The body project. The body snatchers. 
Love this song - very sexy. The body song. The bodyguard cast. 
The bodyguard season 2. The body shop cz. What a stupid father if u have a problem get urself don't involved ur children's.Daughter and father the same problem of the brain.
The body full movie hindi. Yaaaaassss Nicki murdered that shit. August Alsina we were feenin and you delivered. Hope to see a video #NoLoveNoLoveNoLove. This is what it feels like to date a moon in scorpio for a year. The body has been discovered. The body meme. The bodyguard show. The bob braun show tv show.